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Sentence to Haiku

Hokku is a 13th century form of Japanese poetry that was originally the short, quippy opening for a much longer poem, the renga. Hokku, over time, became the little poetic form we all know and love—haiku.

Here in the 21st century, the best way to begin writing a haiku is to craft a sentence of 15 to 19 syllables. For this exercise, let’s begin with a word from The Bard himself.

That’s right, Shakespeare. “Cheer” is a word that comes from the French who borrowed it from the Latin “cara” who borrowed it from the Greek “kara” but all three translate to the word “face’ not what you expected, right? Enter Shakespeare. In many of his works, as with this line from Richard III, he uses “cheer” as a verb that means uplifting comfort or encouragement: “And cheer his grace with quick and merry eyes!” And his use stuck!

So with Shakespeare’s word in mind, let’s compose a singular sentence that creates a snapshot of winter using the word “cheer” like this one:

Stars high above, cheer (5) / on snowflakes parachuting  (7) /winter  in season. (5)

Count syllables and you will discover this sentence has 17. This means it will divide perfectly into three lines with the first line of 5 syllables, the middle line of 7, and the last line of 5:

Stars high above, cheer

on snowflakes parachuting

winter  in season.

But what if this sentence was way too long for haiku form? As is the case with this 20 syllable sentence below, simply trim the three syllable word and you’ll have your haiku!

The stars high above me / cheer on snowflakes that twirl while / falling gracefully down to earth.

 

The stars high above me

cheer on snowflakes that twirl while

falling down to earth.

When the sentence is close, as is the case with these 16 syllable sentence, simply break into three lines as close to 5-7-5 as possible and, et viola!

Stars above cheer on (5)/ snowflakes dusting winter skies (6) / falling slowly (4)

 

Stars above cheer on

snowflakes dusting winter skies

falling slowly.

Night Snow, Utagawa Hiroshige, circa 1833, The Met.

Now you try!

Tomorrow is the first day of December. We hope you will follow along as we explore Twelve Days of Haiku. Don’t forget to check in on social media for our December Giveaway.

 

~Kimberly

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Shakespeare’s Words

Mark Twain once said, “The difference between the almost right word and the right word is really a large matter—’tis the difference between the lightning bug and the lightning.”

But Shakespeare knew this long before Mark Twain spoke these words!

Have you ever received an invitation? Well, you can thank William Shakespeare for bringing that happy word into popularity! William Shakespeare actually invented 1700 words over the course of his lifetime and generously brought them into the wide world through his 154 sonnets and 38 plays.

Dis you know that the rate of words disappearing from English is greater than the rate they are appearing? Yes, the English language is shrinking! I, for one, am so thankful for William Shakespeare and the words he left us to chew on. 

Shakespeare used verbs as adjectives and nouns as verbs. We see the verb “impair” used as an adjective in his play Troilus and Cressida: “Nor dignifies an impair thought with breath.” In his play, Julius Caesar,” he uses the noun “dog” as a verb: ”Destruction straight shall dog them at the heels.” He generated compound words like starblasting and doghearted and so much more! He played with suffixes. He played with prefixes. His imagination was limitless!

Above all else Shakespeare reminds us, like Mark Twain, that every word has unique power to communicate!

Come December, we will be celebrating Twelve Days of Haiku. More details tomorrow, but let’s begin with the prizes! We will be giving away a wonderful pairing of Shakespeare’s Words: A Glossary & Companion and Will’s Words: How William Shakespeare Changed the Way You Talk. We will be offering this pairing to three three winners on the last day of 2023!

 

 

 

 

 

 

 

 

 

More details tomorrow!

~Kimberly

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Creating a Tradition of Letters

While cleaning out a closet I found some treasure! Real writing gold. A stash of letters my mother had written to my father over the course of a year while she was simultaneously raising 4 children and trying to sell our house in North Carolina. My father was out west in California building a new house in the 1960’s. As I read through these seven letters (as well as a few my older brother and sister had written to him), I was instantly transported back to my childhood in that small town as my mother was reporting on each child and all the goings-on of friends and close relatives like my grandmother and my aunts and uncles.

I was struck how writing letters is a record in time, an anchor to the shifting sands of time, people and places.

This led me to realize how much we forget from the past and how our lives change so much. How could we not change as we age? Each life stage changes us—education marriage, raising family, careers, possible trauma, big life changes, and so on.

And then I found another letter that really hit my heart.

This is a letter I wrote to a beloved aunt all about the man I was dating at the time (late 70”s), named John.  I was trying to convey matters of my heart and all my feelings about dating him and wondering if he was the one? I have never been a journal keeper, so these letters are all I have to remember who I was at that time.

I fear letter writing and all its myriad benefits have fallen away to the convenience of email and texting but it’s not the same. I can feel my mother’s love through that beautiful penmanship and the slow deliberate retelling of stories and gossip. I can imagine my father working alone up on the mountain, pulling up a paint can to sit upon while reading about his wife and children. There is so much love and longing in those letters flowing from the tip of that pen.

I am happy to report that my daughter was pen pals with her grandfather all through her childhood, as he was living a nomadic life in the desert, sending her sweet letters with little desert creature drawings imbedded. And at 30 she corresponds regularly with my cousin who is 45 years her senior! They share a love of travel and always send post cards from far flung places on the globe.

No wonder letters are regularly studied by historians to learn facts about the people and subjects they are writing about. Where would we be without Van Gogh’s wonderful letters to his brother Theo and all the insights contained therein? Or Emily Dickinson’s thousand extant letters (experts believe there were thousands more) that reveal her interests and profound feelings, which obviously informed her poetry and life? Or all the WWII letters written by soldiers to their mothers and fathers and wives? These letters are obviously invaluable.

So we at Blackbird and Company want to encourage the art and gift of letter writing! We have some brand new FREE resources—Letter Writing and Letterforms—to help you establish the very fun and rewarding endeavor that is letter writing.

Happy Holiday Season to you all!

~Sara

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Stitch / Strengthen

Hands, fingers, eyes, oh my! When it comes to writing an idea, students are often thwarted by the complex activity of coordinating the minute muscle movements of the hands and fingers holding a pencil, with the sight of the eyes and the idea stirring in the mind’s eye!

Stitching is a wonderful way to switch it up, setting the pencil aside (temporarily) to strengthen small motor ability.  Not only does sewing by hand require the pincher grasp that requires coordinating the thumb and pointer, but it requires coordinating the eyes in the process. Stitching by hand is a quiet, slow activity that requires patience.

Stitching leaves strengthen’s fine motor skills.

Many years ago I cut some very simple pinnately parallel, leaf-like shapes in calico fabrics. I popped the raw “leaves” into  a little basket with pre-threaded (with embroidery floss) needles and carved out time during fall for leaf stitching—half an hour would easily stretch to an hour with my little ones contentedly choosing two leaf shapes and stitching them together tenaciously. This seasonal tradition began with me teaching the running stitch, re-threading all the needles and moving quickly to my children confidently whip stitching and blanket stitching, even threading their own needles!

And guess what? Writing an idea became less painful. Skills gained during sewing transfers directly to the stitching of ideas crafted with pencil on paper.

Check out our brand FREE new Letter Forms worksheet!

 

~Kimberly

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More Leaves for a Friendly Letter

Accentuate your friendly letter with a fall-themed crafty insert!

This project began with a package of fall leaf table confetti. But you can just as easily begin by tracing real leaf shapes on colored craft paper, cutting out the shapes, and drawing. From there, all you need is imagination and a fine-point marker. Fill each leaf with a repetitive design of lines! You might even add a little message to your design! These handcrafted fall leaves, inserted into your friendly letter, will be a delightful surprise to the recipient and a fresh addition to any fall table.

Don’t forget to check out our FREE resources on letter writing and letter forms by hand!

~Kimberly

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Fall Leaves for a Friendly Letter

It’s November and we’re celebrating the art of letter writing, let’s embellish!

Once you’ve composed a friendly letter first draft, it’s time to choose stationary. There are all sorts of envelopes and flat cards in many colors, shapes, and sizes available everywhere. Choose a shape and color that is perfect for fall. Accentuate these simple cards with a fall-themed crafty insert. What’s more symbolic of fall than fallen leaves?

The best place to begin is with a little exploration of fall science. Why do leaves turn from green to the colors of fall? In fall, days are shorter, sunlight is less intense, and temperatures are cooler. This causes leaves to stop photosynthesizing. When this happens the leaf’s  chlorophyll (the pigment that makes them green) breaks down, and its green turns to the beautiful yellows and oranges and reds that are quintessentially fall.

Let’s make some fall leaves!

ONE.

Begin with one sheet of watercolor paper. Cut it in two pieces then fold each into an accordion.

TWO.

Open the sheets back up and paint some fall colors.

THREE.

Once the paint is dry, draw a leaf shape and cut.

FOUR.

Now punch holes.

FIVE.

Now fold the leaf and staple the stem. Thread a piece of embroidery floss through the leaf stem to wrap the little leaf up for its journey to the recipient of your extravagant letter!

 

~Kimberly

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The Friendly Letter is a Gift

Let’s start a tradition!

Let’s write friendly letters!

Composing a letter by hand—a non-electronic letter—is a relational, social activity that teaches generosity, idea making, and the nature of beauty.

Once upon a time there was no such thing as email, text messages, and social media. Back then there was mail. The art of letter writing began way before Pony Express.  I love watching movies where fancy-dressed people are sitting together after a lovely meal sharing news from friends and relatives living in far reaches of the wide world. Letters. They called them letters.

Ephemera is a wonderful word. Say it aloud. Ephemera.

But ephemera is something that is not meant to be preserved. I would argue that letters, the thoughtfully crafted kind, are not ephemera but rather lasting gifts!

  1. Letter writing, like all writing, begins with an idea. It’s November. And November is the season of gratitude. So why not write an idea tied to the theme of gratitude? Starting with a list is always a good idea. Brainstorm! What are you thankful for?
  2. Hone in: Once there is some fodder on the page, focus in on a specific topic that you can develop. Encourage student writers to keep ideas simple, being grateful for finding that favorite lost sock,  watching the goldfish swimming in the backyard pond, or accomplishing a difficult task like mastering a new math concept. Brainstorm some more.
  3. With a topic nailed down, begin crafting the rough draft. Time to pick up the pencil and tell the story—yes the story! Narrative writing (a story of gratitude is no exception) is an opportunity to share. Write a first draft.
  4. Lay down the pencil when all the ideas are on the page. Set the writing aside for up to 24 hours. Let the story simmer.
  5. Re-read what was written. Now is the time to make edits, to re-arrange, to add wonderful words and phrases and to read again! Once satisfied, copy the gratitude narrative into the card you have chosen. You can certainly add some “pleasantries” to introduce the purpose of your gratitude narrative (’tis the season, after all), and you can share a bit of personal news after your narrative, but however you shape your letter, don’t forget to mark it with a date, create a salutation, and a friendly closing.

Check out our FREE letter writing worksheet here.

Well-told stories encourage people to see things in new ways.

Snail Mail is not archaic!

To write a letter is to offer a generosity.

To receive a letter is a gift.

Heres to a month of letter writing! Let’s put a stamp on it!

“A letter always seemed to me like immortality because it is the mind alone without corporeal friend.” ~Emily Dickinson

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I Modinnari Apples

I Modinnari is a tradition that many communities have adopted to honor an Italian tradition that began way back in the 16th century. Once upon a time itinerant artists commissioned for bigger works, would,  at the close of the project, create a related work of art in tempera on the pavement.

For many years this was a tradition with my children, and later with my students. These two are perfect examples for fall. The copy below, after René Magritte’s Listening Room, was created on our driveway during COVID. The above image after inspired by Paul Cézanne’s Apples but re-imagined to fit into a particular space.

You can I Modinnari too!

Here’s How:

  1. Use a white, water-based tempera paint, to cover the space you will be using to create your art.
  2. Choose an image to copy. Apples are obviously recommended!
  3. Using a collection of chalk pastels, begin drawing and layering up colors. Begin with light colors and add darks last!

 

~Kimberly

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Pop Art Apples

It looks simple. It is. But what makes it read “apple” is the fact that it began with observation. The most important thing that observation teaches, is that apples are not perfect spheres.

One fun way to observe is to observe a black and white photograph. Here’s how:

  1. Take a phot of a single apple or a group of apples on your phone. Edit the photo to black and white.
  2. Turn on the edit option and choose a color of your choice.
  3. Choose an apple color for the pen tool. Have your student scribble-trace the apple contour with an Apple Pen or finger.

Now get to know artist Roy Lichtenstein. Read about him here. This is work, Two Apples, was created back in 1972. Take some time to observe. Here are some things to notice:

  1. It is horizontally oriented, divided into two unequal parts, the bottom being larger than the top.
  2. We see: Red, blue, black, and white.
  3. The apples shape is created by a strong, single outline that creates a beautiful organic shape.
  4. The stem is a single stroke of paint.
  5. The upper background is dotted.

Now you try!

  1. Begin with very light pencil drawing. Divide the horizontal space. Fill the space with two large apples.
  2. Choose colors (we recommend using gouache or acrylic paint on smooth Bristol paper) . Limit the palette to two colors, plus black and white.
  3. Paint the sold background at the bottom of the painting. Next paint the apples. Let this dry thoroughly.
  4. Next paint the dots in the upper background. This should be done slowly. Let the paint dry.
  5. Use white paint to pop a highlight onto the apple if you like (our students did not create the highlight).
  6. The very last step is to outline the apples and the horizon line with black.

When it come to apples, the possibilities are limitless! This is what the pop artist reminds us:

“Pop art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.”

There is no doubt in the viewer’s mind that these pop art apples look like the form of the real thing! This is because the artists began with observation.

 

~Kimberly