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Writer’s Voice and the Essay

What is. There are. I am. These are passive phrases.

But what about: sister is and heart is? Well, these are passive phrases too!

When writers are constrained two ways—no passive verbs allowed and write an idea through the sense of sight—it’s rare that a passive verb doesn’t appear in the rough draft. Often times they peek in via contractions—what’s, it’s, she’s, the’ve and so on.

When this student opened the “sound” paragraph with,  “We stand in the line eagerly awaiting what’s to come,” my red pen quiclkly formed a triangle around the culprit. “What’s” is “what is,” after all! There is a list in the student journal to help guide the omission of passive verbs.  Contractions are not listed, but rather, learned quickly!

So, back to that opening sentence. How do we help our students accomplish the task at hand? This was an opportunity to use an important writer’s trick—combine sentences. Voilà!

We stand in line eagerly awaiting as the chatter of the crowd and the thud of footsteps climb in volume.

After reading this refined, combined sentence your ears perk up! Right?

This paragraph is focused on detailing a scene through the sense of sound, and this is the perfect sentence to open the idea!

Introduction to Composition: The Essay, Volume 1 offers an opportunity for students to learn all about essay form and practice constrained writing. Each of the five lessons will explore specific traits of the essay—the thesis statement, topic and subtopics, the magic of three, body paragraphs, and how to open / close effectively. While students will not compose essays in Volume 1, they will engage in weekly writing activities to develop a strong voice. Writing an expanded paragraph through one particular sense without using a passive verb is not an easy task! But students will rise to the occasion and find their footing. At the end of the five lessons, students will be equipped with the tools they need to move into Volume 2 and Volume 3.

 

~Kimberly

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Introducing Composition: Easy as 1, 2, 3

Great essays have the power to encourage, empower, and enlighten. For this reason, essay writing should not be treated as simply a mechanical endeavor, but rather, as a pathway for the writer to communicate the depths of the heart and mind.

Big ideas can be communicated through a range of writing genres in both prose and poetry. It is vital that students discover and explore the potential of all genres. Some writing describes, some narrates, some exposes, and some persuades. Some writing is simply meant to entertain. All writing has the power to inform.

Utilizing our CORE units—Earlybird through Level 3—students will encounter weekly prompts that challenge them to not only write, but also to care about their ideas. By the time they reach the end of elementary, they will be confidently composing expanded paragraphs utilizing many genres including the five big ones: Descriptive, Informative, Narrative, Observational, and Persuasive.

In middle school, as students press into CORE Level 3, they are ready to journey into an introduction to formal composition. We have created three introductory volumes that introduce students to essay form, then guide them into the art of composing the descriptive and the literary essay—both of which integrate an expository element, requiring the student to investigate an idea, evaluate evidence, and develop the idea in a way that is authentic to the writer’s voice and engaging for the reader. After all, producing clear, coherent, and creative writing that captivates the reader is an ultimate goal.

Each of the following units contains five lessons designed to be completed over ten weeks. This said, we’ve built in opportunity for the important work to be slowed down to fifteen, even twenty weeks.

Volume 1 – Essay as Structure: Become an Architect!

This exploration of essay form will introduce students to the strategies and stylistic techniques that will enable then to compose authentic essays.  Students will not write essays in these five introductory lessons, but rather do a deep dive into essay form, gathering stylistic tools along the way. The word essay derives from the French infinitive essayer meaning “to try” or “to attempt” something. Ultimately the purpose of an essay is to wander through an idea, it is an opportunity to try to communicate that idea within a specific structure. Writers utilized essay form long before educators made the form mandatory, overshadowing the original intent that the form was to shelter an idea and not the other way around! Think of Michel de Montaigne, Francis Bacon, Thomas Paine, Louisa May Alcott, George Orwell, Virginia Woolf—I am certain these great writers were more concerned with the idea to be communicated than the form that would shelter the idea. All you have to do is read an exceptional essay to see this truth—try E.B. White.

When it comes to composing essays, Form Follows Function is paramount!

Writers must focus first on the function or purpose of writing—the idea. Once the idea is drafted in rough form, the writer digs back in and applies mechanics—corrects misspelling, capitalization, punctuation, embellishes word choice, improves syntax, and so on. Writing is a process.

The goal with this first volume is to offer students an understanding of the form, its purpose, and potential, while simultaneously offering exercises that will enable them to elevate their voice in preparation for Volume 2 and 3.  Learn to meander through an idea in a constrained manner, explore the role of threes in writing, the HOOK, the THESIS, and much more.

Volume 2 – An exploration of the Descriptive Essay.

During elementary, students have learned to craft expanded descriptions. Descriptive essays take describing to a new level. When writers explain the differences and similarities between two topics or ideas, this is descriptive writing with an expository punch! Here, the writer gives a complete explanation of the topic at hand, providing evidence, examples, and even background history. This because, the ultimate goal is to try out an idea that is set forth via a thesis statement. Expository writing, of course, has a clear purpose: to educate the reader.  As example, students will embark during the first week on a journey that will enable them to Write an Orange. In order to develop a thesis they will explore the concept of orange, explore some science of the color and the fruit, they will even consider a famous quote by Vincent Van Gogh:  “There is no blue without yellow and without orange.”

Over the course of five lessons, again designed to be completed in ten weeks but easily adapted to longer, students will journey with Volume 2 into the work of bringing shape to an original idea conveyed in the form of an expository description, a descriptive essay.

Volume 3 – The Literary Essay

Students are mentored through each step of the process as they compose five original literary essays in response to five exceptional small tales—beginning with a prompt, brainstorming, crafting a thesis and developing the idea through the self-edit and final draft. The literary essay is, of course, expository in nature because the writer will be exploring topics encountered in great stories to provide information gathered from a close reading. While the student essayist will decide which information—character development, themes, symbols and so on—is to be presented, the information is presented not as opinion, but as wonderful factual information gleaned from fiction that applies to the non-fictional realm. The student essayist will explore the literary work from various angle, providing information in an objectively creative manner.

Introductory essays will spring from the following stories:

  • The Tin Forest, by Helen Ward
  • Grandfather’s Journey, by Allen Say
  • The Story of Ferdinand, by Munro Leaf
  • Train to Somewhere, by Eve Bunting
  • Letting swift River Go, by Jane Yolen

Let me leave you with an important quote from E.B. White:

“If there were something that was less than nothing, then nothing would not be nothing, it would be something – even though it’s just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is. Writing is an act of faith, not a trick of grammar.”

I think what he is saying, more eloquently than I ever will is: Form Follows Function!

Your students will transcend benchmarks as you challenge them to write their ideas!

 

~Kimberly

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Inspire Your Students to Write Meaningful Essays!

Take the heavy-handed prep-work out of teaching students to write an essay!

Our unique scaffolding, designed to mentor the art of essay writing, will guide your students each step of the way—from brainstorming through revision to the polished final work—allowing you to offer support as a mentor and guide.

I will never forget running alongside each of my four children when they were learning to ride a bike once the training wheels were removed, “Keep pedaling! You can do this…!” The messaging is almost the same when it comes to coaching a student to write.

Our introductory composition is designed to introduce students in grades 6 through 8 to the overarching purpose of the essay, simple rhetorical style, and both the descriptive and literary essay form. Middle school students will be equipped to write their essays articulately. Each of the three volumes is designed to be completed in 10 to 15 weeks and contains all of the information you will need to mentor and inspire.

Great essays have the power to encourage, empower, and enlighten. For this reason essay writing should not be treated as just a mechanical endeavor, but rather, as a pathway for the writer to communicate the depths of the heart and mind.

Big ideas can be communicated through a range of writing domains including creative writing. It is vital that students discover and explore the potential of all types. Some writing describes, some narrates, some exposes, and some persuades. Some writing is simply meant to entertain. All writing has the power to inform. This three volume set will guide students systematically into the art of essay writing!

Our Volume 1-3 Bundle include:

  • Student Guide – Vol. 1: Essay as Structure: Become an Architect!
  • Student Guide – Vol. 2: The Descriptive Essay
  • Student Guide – Vol. 3: The Literary Essay
  • Thinking in Threes, by Brian Backman
  • The Tin Forest, by Helen Ward
  • Grandfather’s Journey, by Allen Say
  • The Story of Ferdinand, by Munro Leaf
  • Train to Somewhere, by Eve Bunting
  • Letting swift River Go, by Jane Yolen

Volume 1 – Essay as Structure: Become an Architect!

An exploration of essay form and writing technique.

Teacher support material is included in the volume.

Volume 2 – The Descriptive Essay

An exploration of the Descriptive Essay.

Writers will be mentored through each step of the process as they compose five original descriptive essays—beginning with a prompt, brainstorming, crafting a thesis, and developing the idea through the self-edit and final draft. Teacher support material is included in the volume.

Volume 3 – The Literary Essay

An exploration of the Literary Essay.

Writers will be mentored through each step of the process as they compose five original literary essays in response to five exceptional small tales—beginning with a prompt, brainstorming, crafting a thesis and developing the idea through the self-edit and final draft. Teacher support material is included in the volume.

You might consider purchasing our complete middle school Writing Year Pack to start back-to-school writing on the right foot!

 

~Kimberly