Posted on May 26, 2013 by BBCo

Words Are a Great Wonder

In our world where
fast paced technological communicating is the norm, our lexicon is shrinking
hand over fist. But the potential of words is a great wonder. Words are salty goodness that pepper writing with flavor.

So this month at the Guild we are, once again, making words.

Last spring I
introduced my writers to the idea of “neologisms” coined by Lewis Carroll. I
began by asking the writers to remind me of the details from last spring’s
lesson. I was surprised that they remembered with great detail the suffixes we
explored so long ago:

» cosm  [From Greek kosmos, order,
universe.]  Universe; world microcosm, macrocosm

» esque  [F., fr. It. -isco. Cf. –ish.]  An
adjective suffix indicating manner or style Arabesque, Romanesque

» ism  [Greek -ismos, -isma noun suffix]  A
suffix used to form action nouns from verbs, distinctive doctrine, system, or
theory skepticism, truism

They even
remembered more than a handful of the words they crafted, words like: appleism,
s-e-e-ism, TVism, tablesque, pencilesque, windesque, bouncehousecosm,
balooncosm, and lollycosm

As I sat with the
group, I marveled at their retention, but more significantly at their
delight. can’t say the same
about any of the vocabulary development lessons that I’ve utilized through the
years from various curriculums that shall remain nameless!

The art of
crafting neologisms focuses the writer’s attention on the specificity of words
and their potential to enact ideas in a very meaningful way. And lessons that
are meaningful are lasting.

So we began our
exploration of suffixes, mining for meaning and application:

» able  [From Latin abilis, capable of, fit
for.]  washable, enjoyable, pitiable

ex.
Neologism – baloonable

» nomy  [From Greek nomos, system of rules
or knowledge.] astronomy, economy, autonomy

ex.
Neologism – iPodonomy

» ization  [From Greek izein, to become.]
popularization, organization, generalization

ex.
Neologism – basketballization

»
ology  [From Greek logia, to speak of, study or science of.]
biology, geology, anthropology

ex.
Neologism – pickleology

» phobia  [From
Latin phobia, abnormal fear] claustrophobia, arachnophobia, xenophobia

ex.
Neologism – flipflopphobia

» ward  [From
Middle English ward, specifics of direction] toward, homeward, backward

ex.
Neologism – chocolateward

Bonus Suffix:

» biotic  [From
Greek biotikis, of life, method of living] antibiotic, probiotic, microbiotic

ex.
Neologism – fauxbiotic

Ultimately, I challenged the
writers to create a list of neologisms for each suffix. Now I challenge you to do
the same. And as you do, keep in mind, words are a great wonder! Go and salt the earth.

-Kim

Posted on September 14, 2012November 18, 2025 by BBCo

Read to Write » Write to Read

Reading and writing should be first and foremost a fun endeavor.

That’s right, fun.

But fun—the true kind—is not a byproduct of easy.

Fun is hard work.

Developing reading fluency takes years.
Developing writing proficiency takes years.
One can’t really be accomplished separate from the other.
Still, more often than not, we isolate the task of teaching the child to read from the task of teaching the child to write. Worse yet, we subdivide these tasks into smaller tasks—phonics, comprehension, grammar, capitalization, punctuation, syntax—until the disconnection is a grim mountain to climb.
The joy of learning to read a great story should not be overshadowed by the work of learning to glean its riches.

The joy of writing should not be overshadowed by the work of learning the mechanical process of setting words to the page.
Words on the page have the power to inspire, to inform, to exhort, to clarify, to persuade, but ultimately words on the page are a gift. When words on the page offer an expression worth expressing, the voice is authentic and the reader is engaged. Robert Frost himself reminds us, “No tears in the writer no tears in the reader. No surprise in the writer, no surprise in the reader.” Words on the page are worthy on the giving and receiving end.

Blackbird & Company titles represent a selection of authentic classic and contemporary literature that are near and dear to our hearts. We’ve painstakingly created our literature discovery guides with an integrated approach to reading and writing in mind. Our goal is simply to help students engage in the work of loving to read and write.

Posted on February 6, 2012 by BBCo — 1 Comment

Writing Chocolate Cake

Teaching a child to write and to value their imagination go hand in hand. Writing for real begins when children believe that their ideas are important enough to do the work of shaping words on a page that will communicate that idea.

You could begin to teach a child to write like this:

“A paragraph consists of one or more sentences focusing on a single idea within a specific structure that enables a reader to understand the idea.”

Or, you could begin like this:

“Let’s write a chocolate cake!”

In my experience, the second option is nearly groan free.

Set out paper and pencil for later. Begin with discovery. You might bake a cake from scratch or assemble a cake with pre-baked cakes, pre-made frosting, and a variety of decorations. You might try several chocolate cake recipes and have a taste test. Either way, as you are exploring chocolate cake, discuss the process of discovery along the way. Once the discovery session is complete, encourage your writer to pick up their paper and pencil to begin the process of communicating what they discovered to someone else. Remind them that their writing is a gift twice as delicious as chocolate cake.

Walking writers through the process of crafting a paragraph about chocolate cake is easy as 1, 2, 3… I promise!

1. Hook: The first sentence in a paragraph outlines the idea that will be presented. But more importantly, this is the sentence that grabs the reader’s attention, first impressions matter. This sentence can be a statement, a command, a question, or even an exclamation. The goal is simply to entice the reader to read on. Honestly, once writers have crafted the Hook, words flow until they hit the Clincher.

Ask the writer, “For our paragraph about chocolate cake do we want a flavorless, bland topic sentence like this…?”

I am now going to tell you about chocolate cake.

Of course the resounding response will be, “NO!”

At this point remind them that the bland sentence is not wrong, but it’s not original, not creative, and it certainly will not inspire the reader. Now, together try playing with the sentence to make it grab the reader’s attention.

Craft a small sentence in collaboration and focus on finding just the right adjective to describe chocolate cake. Here “mouthwatering” can be exchanged with a variety of great words and phrases: tasty, lip smacking, scrumptious. Begin the list making until the writer come up with their own words to fill in the blank. Add the word and the hook is their own.

Chocolate cake is a mouthwatering treat.

Or…

Provide a few facts about chocolate and encourage them to choose one that they find amazing and then, encourage them to write it in their own words.

Did you know that a long time ago, chocolate cake wasn’t chocolate, but a spiced cake more like gingerbread made to eat with a cup of hot chocolate?

Or…

Have them begin narrative style, “Tell a story that includes chocolate cake facts in a make-believe story.”

It all began on a dark and stormy night when I decided to bake a chocolate cake.

2. Body Sentences: This is the part of the paragraph that presents the details, facts, and examples that support the main idea. With reluctant writers, three sentences is a good place to begin, “Now write three more sentences that tell the reader something you discovered about chocolate cake.” As writers become more confident, not only will sentence count increase, but more specific details and more interesting language will begin to emerge.

3. Twist: This last sentence of the paragraph should not only summarize the main idea of the paragraph but it should leave the reader with something to think about.

Ask the writers again, “For our paragraph about chocolate cake do we want to end with a flavorless, bland topic sentence like this…?”

That is all I know about chocolate cake.

And, again, the resounding response will be, “NO way!”

Remind them, “Bland sentences are not original, not creative, and certainly will not inspire the reader.” I begin by modeling ideas, allow them to use a phrase from my twist, and soon enough the writers come up with some pretty fantastic ideas of their own.

Chocolate cake reminds my taste buds to blast off!

Chocolate cake, even the smallest silken-spun morsel is just right any old time.

Chocolate cake, like a well-crafted paragraph, is worth every single bite.

Posted on December 19, 2011 by BBCo

Gathering Descriptive Words

Taking notes is a foundational skill that will accompany your student throughout their entire educational journey, and beyond. Even though there is no “right” way of taking notes, it is important to learn how to extract relevant and pertinent information from a text in a neatly organized, concise manner. This takes practice. When students are encouraged to practice note taking, and engage in the work of capturing the most important facts from their reading, they will begin to recognize how all the parts of a story fit into a larger picture. Learning to take notes helps to lay the foundation for rich, clear, and organized writing.

When readers observe character development, trace a setting, and watch a plot thicken, they are learning more than just the skill of recording facts, they are actually beginning to realize the potential of storytelling. Teaching students to dig into a story, to do the “work” of reading for meaning, enables them to discover how language has the power to communicate significance.

Consider what is gained as students learn to infer abstract traits and values from literal details embedded in great stories.

curious, wise, boastful
shy, witty
arrogant, reliable,
courageous
devout, outlandish
stable, tricky, vain

List poem?

No! This list is a portion of the lexicon that develops over time as readers dig into the work of thinking deeply about fictional characters.

As students reach for just the right descriptive adjective to assign to a character's unique personality they simultaneously expand their vocabulary, recognize the profound specificity of language, engage with the story at hand on a deeper level, and gain deep understanding of abstract real-life concepts from a make-believe situations.

The sample page above is student work in response to Leo Lionni's It's Mine, a simple fable about the blessings of sharing. Our Earlybird literature guides provide your youngest students with the opportunity to share classic read-alouds with you, while exploring simple literary concepts like characterization and plot. Find all of our Earlybird guides here!

Posted on October 18, 2010November 18, 2025 by BBCo — 1 Comment

Poetry to Enliven Prose

Holding up a red box adorned with a red satin bow I remind my students, “Great writing is a gift.”

I’ve discovered that the Japanese form of poetry, haiku, is a perfect way to teach students that practicing poetry will improve their prose.

Any sentence can be transformed to a haiku:

Three lines, word picture in seventeen syllables, haiku are small poems.

Three-lines, word picture
in seventeen syllables,
haiku are small poems.

5 syllables + 7 syllables + 5 syllables = 17 syllables

We begin our brainstorming:

“What do we see on the outside?”

red box
enormous satin bow
sunshine gleaming

“What do we imagine?”

something small inside
something special

I open the box to reveal a single folded piece of notebook paper. The students’ eyes are wide. I unfold the paper and show them the gift is a poem.

Continue reading Poetry to Enliven Prose