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A Writer’s Magnum Opus

As the school year has only just ended, now is the perfect time to ask a beautiful question or two! As a writer, what has my student gleaned? What is the best lesson I passed on? What is my student’s magnum opus? And, as a teacher, what is mine?

So what exactly is a magnum opus? E.B. White demonstrates this beautifully. Charlotte’s Web begins with the tension of an ax. Life on the farm causes Fern to face life and death, “‘I don’t see why he needs an ax,’ continued Fern, who was only eight. ‘Well,” said her mother, ‘one of the pigs is a runt. It’s very small and weak, and it will never amount to anything. So your father has decided to do away with it.'” Of course, we know how the story goes. Fern rescues the runt and sets the action into motion.

But, let’s get back to the matter at hand, the concept of magnum opus. Toward the end of the story, in chapter 19, Charlotte refers to her egg sac as her magnum opus. But when Wilber thinks the peach colored cotton-candy like thing is a toy, Charlotte sets him straight. And in the process of setting Wilbur straight, Charlotte unpacks the term for us, “It is my egg sac, my magnum opus. Latin for great work. This egg sac is my great work—the finest thing I have ever made.” Charlotte’s sac, containing 514 eggs becomes a powerful representation of her legacy.

 

Later, in Chapter 22, almost at the very end of the book, E.B. White crafts a sentence so perfect, that I would deem it a magnum opus:

“It was the best place to be, thought Wilbur, this warm delicious cellar, with the garrulous geese, the changing seasons, the heat of the sun, the passage of swallows, the nearness of rats, the sameness of sheep, the love of spiders, the smell of manure, and the glory of everything.” ~E.B. White, Charlotte’s Web

Our Blackbird & Company students are continually constructing ideas—words to phrases, to sentences, to paragraphs, to essays. Now is the perfect time as summer saunters in, to look back on your student’s body of writing from the past year in search of a magnum opus! I’m certain you will be  able to pull a singular sentence from your student’s body of writing. One sentence that stand’s above the rest. Post the sentence up on the refrigerator, read it often. In so doing you are encouraging the student’s important work, but you are also reminding yourself that a significant part of being a teacher is inspiring, applauding, marveling in the work of the student!

 

~Kimberly

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What is a Habit of Being?

Students engaging in their important work is simply delightful. Back in 2011, I collected my observations into a little memoir. My goal was simple, demonstrate that at the heart of learning is caring—actually caring about the task at hand. When students care, they become cognitively present. They become active participants, engaging curiosity, creativity, and ultimately, building confidence.

What do students who care gain? Habits. They gain habits of being.

This summer, my personal project will be to edit my little book and set a second edition in print by fall to support the launch of our introductory neuroscience unit for upper elementary and middle school students.

Looking back, the skill of observation is where it all began. With my own children, and all of my students over the years, observation activities anchored the development of healthy habits—habits of being. To observe and then to document the observation with a lifelike drawing and well constructed words, requires slowing down, taking information in via the senses, doing a bit of research, and looking some more. Ultimately, over the years, my experience is that Da Vinci was right:

“All our knowledge has its origins in our perceptions.”

And this brings me back to summer. Now’s the time to develop a habit of being.

The habit of observing is habit worth developing—a habit of being.

Observation of simple objects is the best way to begin your Observation Journal—think shell, spoon, marshmallow,  apple. Begin this activity in kindergarten and continue through 12th grade! Create an annual binder of student observations—The Observation Journal. These will become terrific keepsakes.

And getting started is easy as 1, 2, 3…

One.

Trace the edges with your pencil follow along with your eyes.

Two.

Begin your sketch, following the outline edges (very  s l o w l y). Let your hand “see” all the curves and bumps that your eye sees as you look back and forth from your drawing to the apple. Don’t rush. Making a connection between the eyes and the hand is a slow motion exercise.

Three.

Simple observational drawings can be embellished with a wash of watercolor.  Always paint from a puddle, never directly from the pigment tiles. When creating a wash of color for a red apple, Sara reminds us that the red is not the red directly from the tile. “Red in nature is complex. Make a puddle of red and add a tiny drop of green.” It’s the same process for an orange pumpkin, add drops of the complimentary color of the object into the prominent color—a splash of blue— to achieve the natural complexity of the object’s color. Here is an advanced observation where the pinecone color is actually a blend of yellow with a touch of purple:

A good way to get your students ready for a complex observation like this pinecone, is to engage them with simple hand held objects from the kitchen to the natural world. It is also a good idea to engage students with already flattened objects as demonstrated in the photos below:

 

Once the observational drawing is complete, encourage your students to do some research on the object that was observed, date the entry and add it to the Observation Journal.

As students  complete observations, encourage them to engage in clean-up—putting away materials and washing brushes and paint trays. Encourage them to reflect on what was gleaned. It’s likely that what was gained is far more than art, far more than science.

Developing the skill of observing is a habit of being that invites us to imagine possibility. Click through to learn about our Observation Journal: Leonardo da Vinci kit. Pick one up and let the observing begin.

 

~Kimberly


During the month of May we will hosting another Giveaway! A wonderful set of Just Right Readers by Kate di Camillo. Enter below daily to increase your chances of winning!


Just Right Readers Giveaway

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Write a Letter to Your Future Self

We’ve worked hard for a long time—a whole school year, in fact. Work and perseverance and learning changes a person, which is why I’m guessing that who you are now is a little different than you were last May. And the person you will be next May is different from the self reading this blog right now. 

So let’s take a moment to think about where we’re going. In fact, let’s write a letter to our self of the future (of May 2027, perhaps). Write your letter, seal it in an envelope, and then a year from now, open it up and see how you’ve grown. This would be a wonderful activity to do side by side with your students. Set the example of self-reflection!

Your letter can take any shape—you’re both the author and the audience, after all. But here are some ideas to get your thoughts flowing:

  • What are you most proud of at this point in your life?
  • What do you think you will be most proud of next year?
  • How would you describe your progress as a writer at this point?
  • How would you like to change as a writer?
  • What is your current favorite book?
  • List three goals you would like to accomplish by this time next year. What specific steps can you take to accomplish these goals?

Set a reminder on your calendar or phone to remind you to open this letter. Let’s get writing!

Dear future self…

 

~Claire S.

During the month of May we will hosting another Giveaway! A wonderful set of Just Right Readers by Kate di Camillo. Enter below daily to increase your chances of winning!


Just Right Readers Giveaway

 

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What is the Role of Reflective Learning?

One of the key practical lessons of modern neuroscience is that the power to direct our attention has within it the power to shape our brain’s firing patterns, as well as the power to shape the architecture of the brain itself.” ~Dan Siegel

As a sneak peak into our Introduction to Neuroscience unit, we will be focussing our attention this spring and into the summer on contemplative activities. Reflective learning is a terrific place to start!

Oftentimes throughout the school year, we rush rush rush to cover subjects—essays and grammar and poetry and literature and comprehension…and breathe a sigh of relief when we make it to summer. But the last thing we want after the school year wanes is to let our hard-won knowledge evaporate in the leisure and freedom of summer. So that’s why I hold up to you: reflective learning.

Reflective learning deepens learning by giving students a moment to pause and think about their experiences. They get a chance to identify their strengths, weaknesses, and goals for themselves, as well as situate their new knowledge amidst their overall understanding of the world. Reflective learning gives meaning to one’s studies—and making knowledge meaningful is a recipe for retaining that learning. 

I’ll give you some background on one of the main theories of reflective learning. This model of reflective learning originated in 1988 with Professor Graham Gibbs, published in his book Learning by Doing: A Guide to Teaching and Learning Methods. This book outlines the Gibbs’ Reflective Cycle, which is meant to be used after a learning experience. The six steps of this cycle are: description, feelings, evaluation, analysis, conclusion, and action plan. 

Here’s an example of how you might use this reflective learning strategy:

Eighth-grade student Timothy just finished the guide for Essay Volume 3: The Literary Essay. In this ten-week unit, he wrote five literary essays, a form he had no prior experience with. While he started out struggling to follow the essay form and would drop in quotes at random, by the fifth essay he was writing structured eight-sentence paragraphs and embedding quotes seamlessly. Timothy is growing as a writer!

As Timothy’s teacher, I would assign a reflection based on the Gibbs’ Reflective Cycle to give him a chance to cement his learning and recognize his growth. The activity would contain these six elements: 

  • Description. Describe your experience in Essay Volume 3.
  • Feelings. How did you feel throughout this unit? What kinds of thoughts arose?
  • Evaluation. Evaluate the best part of this experience and the worst part of this experience. 
  • Analysis. Analyze the situation. Why did some things go well and others go poorly?
  • Conclusion. What did you learn overall? What might you have done differently?
  • Action plan. Going forward, how will you approach similar situations?

My hope is that by reflecting on his growth over the past ten weeks, Timothy would retain his learning and internalize his success. His writing accomplishments are a big deal!

Reflective learning isn’t fancy. It doesn’t have to take long—but it sure pays off in the long run.

During the month of May we will hosting another Giveaway! A wonderful set of Just Right Readers by Kate di Camillo. Enter below daily to increase your chances of winning!

 



Just Right Readers Giveaway

 

~Clare S.

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Stitching Picasso

Stitchery builds cognitive plasticity.

Embroidery is a practice that will empower students to be aware of fine motor potential, overcome the short attention span, and to have a growth mindset. The nervous system controls all of the body functions. But it is a complicated system with diverse potential. by tapping into all potential and possibilities while learning, students will develop diverse thinking skills.

Enhanced performance of the brain ensures that all of the other body systems perform accordingly. Metabolism, for example, is a complex task that makes sure the body has minerals when needed and ensures that toxic waste is extracted from the body. Creative endeavors help the brain to engage in focused, relaxed work, improving nervous system performance. Embroidery is good for the brain. And this is good for learning.

Here’s a thought… Stitch a Picasso!

For this project we began by observing Picasso’s Owl:

Next, students made original drawings inspired by Picasso’s drawing. After each child had a drawing they were settled with, the drawing was transferred to the burlap flap. We used the running stitch since these were made by 1st and 2nd graders. But running stitch is great place to start with all ages.

One hint: Have two needles threaded for your student, “unthreading” is common with new stitchers!

Embroidery is academic. So put down the pencil, pick up a needle and thread. Next time its time for pencil work, the hand-eye connection will be much stronger!

While stitching, think interdisciplinary: Read a book about owls! Write an owl poem.

 

~Kimberly

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On Looking Closely…

The habit of observing is habit worth developing—a habit of being.

Observation of simple objects is the best way to begin your Observation Journal—think shell, spoon, marshmallow,  apple. Begin this activity in kindergarten and continue through 12th grade! Create an annual binder of student observations—The Observation Journal. These will become terrific keepsakes.

And getting started is easy as 1, 2, 3…

One.

Trace the edges with your pencil follow along with your eyes.

Two.

Begin your sketch, following the outline edges (very  s l o w l y). Let your hand “see” all the curves and bumps that your eye sees as you look back and forth from your drawing to the apple. Don’t rush. Making a connection between the eyes and the hand is a slow motion exercise.

Three.

Simple observational drawings can be embellished with a wash of watercolor.  Always paint from a puddle, never directly from the pigment tiles. When creating a wash of color for a red apple, Sara reminds us that the red is not the red directly from the tile. “Red in nature is complex. Make a puddle of red and add a tiny drop of green.” It’s the same process for an orange pumpkin, add drops of the complimentary color of the object into the prominent color—a splash of blue— to achieve the natural complexity of the object’s color. Here is an advanced observation where the pinecone color is actually a blend of yellow with a touch of purple!:

A good way to get your students ready for a complex observation like this pinecone, is to engage them with simple hand held objects from the kitchen to the natural world. It is also a good idea to engage students with already flattened objects as demonstrated in the photos below:

Furthermore, have students copy drawings of artist’s. This activity helps them develop observational skills and while learning how great artists use lines.

Once the observational drawing is complete, encourage your students to do some research on the object that was observed, date the entry and add it to the Observation Journal.

As students  complete observations, encourage them to engage in clean-up—putting away materials and washing brushes and paint trays. Encourage them to reflect on what was gleaned. It’s likely that what was gained is far more than art, far more than science.

Developing the skill of observing is a habit of being that invites us to imagine possibility.

 

~Kimberly & Sara

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Stitch / Strengthen

Hands, fingers, eyes, oh my! When it comes to writing an idea, students are often thwarted by the complex activity of coordinating the minute muscle movements of the hands and fingers holding a pencil, with the sight of the eyes and the idea stirring in the mind’s eye!

Stitching is a wonderful way to switch it up, setting the pencil aside (temporarily) to strengthen small motor ability.  Not only does sewing by hand require the pincher grasp that requires coordinating the thumb and pointer, but it requires coordinating the eyes in the process. Stitching by hand is a quiet, slow activity that requires patience.

Stitching leaves strengthen’s fine motor skills.

Many years ago I cut some very simple pinnately parallel, leaf-like shapes in calico fabrics. I popped the raw “leaves” into  a little basket with pre-threaded (with embroidery floss) needles and carved out time during fall for leaf stitching—half an hour would easily stretch to an hour with my little ones contentedly choosing two leaf shapes and stitching them together tenaciously. This seasonal tradition began with me teaching the running stitch, re-threading all the needles and moving quickly to my children confidently whip stitching and blanket stitching, even threading their own needles!

And guess what? Writing an idea became less painful. Skills gained during sewing transfers directly to the stitching of ideas crafted with pencil on paper.

Check out our brand FREE new Letter Forms worksheet!

 

~Kimberly

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Around the Campfire: Kitchen Tales

Let’s talk kitchen literacy.

That’s right.

Think recipe for fun and for learning!

In the kitchen, reading and writing and thinking is delicious!

Once upon a time we had a little wooden step stool in our kitchen that my four would climb up to help me stir up whatever was cooking. In the kitchen, everything your little ones are learning is applied—counting, fractions, addition, subtraction, reading, writing, sequential thinking and so much more. In the kitchen, children experience the complexities of chemistry. They will witness right before their eyes the difference between a mixture and a compound. They will watch matter change right before their very eyes! Like magic, chemical reactions lead to yummy treats!

Let’s talk kitchen words: measure, cup, spoon, knife, pan, water, sugar, butter. Encountering words in the realm that they belong is an excellent opportunity for students to put their language arts skills to task. I used to make moveable labels on 3 x 5 index cards and place them on kitchen nouns. After cooking (and clean up!) I would have them draw pictures on the back of the cards so they could have fun reading and spelling words using the moveable alphabet. The kitchen list of words is endless and will provide your little ones hours of academic fun. One word that is very important in the kitchen is dozen. This wonderful word is also an important mathematical concept  introduced in kindergarten.

About a dozen years ago, Sara wrote her first post. She imagined cooking from scratch akin to educating a child. This brilliant extended metaphor rings true all these years later:

I believe every child is like a blank recipe card and that our job as educators is to teach them how to bring their unique spice to a bland world. Each child possesses a unique cabinet brimming with flavor. One might be like chili powder (which you really need to make a good pot of chili), another cinnamon mixed with sugar, yet another oregano (which gives a great background flavor to many dishes).

And she left us with a brilliant question:

What if our job is to challenge our children to explore the potential of their flavor? Let’s help our children develop their unique recipe for life

So this winter, let’s get cooking!

~Kimberly & Sara

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Around the Campfire: Slide of Imagination

The phrase “summer slide” is one of my pet peeves. This phrase (used for as long as I remember) describes the essential skills that are supposedly lost over the summer when children are out of school.

Summer is the time for hands in the sand, hikes on the mountains, digging into a city garden, swimming in the community pool, trips to the library. Summer is an extended time of experiential learning. And these experiences will provide fodder for learning all year long. These experiences will pay richly into your child’s fund of knowledge, the knowledge that sparks ideas. Think of summer as an opportunity to mostly unplug from electronics, to engage with nature, family, friends, community, and books!

Let’s talk learning loss. Being deprived of something is loss. When it comes to language arts, I’ve sadly crossed paths with scores of children struggling to write who have simply been deprived of the opportunity to imagine their ideas. Is summer the culprit? I think not!

Review Tip Number 2.

What is your BIG idea?

When it comes to writing: Form always follows function.

When learning an art form—and writing is an art form—the rule to follow is: form follows function. This means that language arts should not be approached or taught the same way that we teach math. We can not simply give our children a mountain of grammar, punctuation, spelling, and capitalization rules and expect them to compose their ideas eloquently. In this case we are giving children “form” (building blocks) without any concept of “function” (purpose). Function is key to using form effectively.

Without ideas, writing becomes a meaningless chore.

Before the pandemic, literacy levels were in decline. But global shutdowns  pushed close to 1.5 billion students out of school. And these disruptions gave us all an opportunity to see that perhaps our approach to teaching language arts is broken. It gave us an opportunity to make a change. Truth is, on average nationwide, 66% of 4th grade children in the U.S. could not read proficiently in 2013, seven years before the pandemic! And children who do not read proficiently, do not write effectively!

Lacking basic reading and writing skills is a tremendous disadvantage. But lacking the ability to value ideas, well, that is tragic.

Literacy not only enriches an individual’s life, it creates opportunities for people to develop skills that will help them provide for themselves, their families, and humanity at large. Literacy is the ability to read, write, and think in ways that enable us humans to communicate effectively and authentically. Literacy helps us make sense of the world.

Tip Number 3.

Slide of Imagination

If we are to use an education phrase, let it NOT be the “summer slide” or the COVID slide”.

Please let it be the: Slide of Imagination!

When children engage with ongoing spelling lists, endless grammar exercises, and cookie-cutter writing exercises, they will become exhausted and disheartened climbing an endless ladder.

When it comes to writing an idea, at first, children (even adults!) might see the blank page and feel a little frightened, like getting on a two-wheeler for the first time. But with a bit of encouragement: “You can do this!” the pencil in hand will begin to fill the page. The climb up will always be UP, but the slide of imagination will never disappoint.

Try this writing exercise (yes, you):

Look at the photo above. What did the little girl think climbing the ladder to the top of the slide? What did she think when she reached the top and looked down? What was going through her head when the photo was snapped?

You are seeing blank lined-paper, right?  It’s not easy to begin, right? Is your imagination holding its breath?

  1. Sometimes, in this moment, I give my students permission to pretend!
  2. If I were in the room, teaching you, I might encourage you to dictate your idea so that your first draft would simply involve copy work. For reluctant writers, dictation is akin to training wheels.
  3. When students are really intimidated by the page,  I might offer a few “hooks” and let them choose how to begin. Here are some examples: At the top of the slide, she was so delighted by her favorite color that she burst into laughter.  Arms up, feet down, head back, big smile, you go girl!  She’s committed now! 
  4. Sometimes all it takes is getting a first sentence on board for the idea to flow.

Now it’s your turn. Write your idea. Write through all the stages: Idea brainstorming, first drafting, re-reading, editing, polished copy. And once you’ve completed this exercise, teach someone to write through the prompt. You can do it! You be a writing coach!

Encouraging your students to write their ideas is inviting them to climb the ladder into their imagination and slide into the art of writing joyfully.

Instead of worrying about catching up this winter, think about gathering around-the-campfire.  Around the campfire we warm up, roast marshmallows, make s’mores, sing songs, and best of all, we share stories.

 

~Kimberly

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A Different Kind of Schedule

Summer is here! And this is precisely the time to plan for back-to-school.

Enjoy the view!

This can mean different things for different families. Some families may be part of the regular brick and mortar school. This means no longer having to wake up early and rush out of the house. For other families, those who homeschool, summer days may look similar with a few more beach activities or road trips added into the mix. Likely for all, summer means more open-ended time with warmer weather!

What we have noticed in my family, is that there is more downtime, less set-in-concrete plans, more togetherness.  Sometimes summer starts out rough with a little restlessness. I’ve learned through all the different seasons with my children, that I’m better with a schedule. I like to know what to count on when. And I like to communicate this plan with my children.

Recently I read a blog post that talked about two things that really hit home:

1) being intentional with those we love, and 2) creating a rhythm of for each day.

So how do we be intentional?

In our family, my children really appreciate time alone with my husband or me. Especially as they get older, they really want time to talk. For my son this usually involves some kind of activity—walking the dog, bike riding, gardening, or doing yoga. For my daughter it’s cuddling up on the couch with a really amazing cup of coffee. For my youngest it’s playing pretend or reading books together. Sometimes it’s enjoying a delicious snack. My husband and I need time too, so we have been taking walks together, watching a show and doing a regular date night with another couple. These are all things I now put on the calendar along with the kid’s regular swim day. And the beauty I’ve discovered is that you can still leave things loose and open-ended while having regular routine.

What about Rhythm of the day?

Take a moment and imagine yourself in yesterday.

What feels easy?

What feels hard?

How could it flow better?

When my kids were little and done napping the hours of 4-6pm were always the hardest. We all felt a little pent up and crazy. This is when I started taking walks. At the time we lived right next to a small zoo we could walk too. We would get there right before 4pm, when they stopped letting people in. We would walk around the zoo the last hour it was open, and it was when the animals were the most active. We would walk slowly and watch all the animals come alive.

As the kids got older this rhythm changed. We no longer had that pent up feeling, but we did have a window when we all needed quiet time. Our 4-6pm moved to 3-5pm. I always hit a tired slump at 3pm, I had the same slump when I was working full time. I saw it in my kids too. I started mom’s reading corner during this time. It’s a corner in our living room that my favorite part of the house. I sit in a cozy corner of the couch, soft pillows and a knitted blanket. My favorite art is on the wall, my bookcase straight ahead. Next to the bookcase are a wall of glass windows and doors. I see outside to our beautiful backyard see the fruit trees and I can hear the birds that started a nest there. I just started siting there one day. We have moved over the years, but it has always been a consistent comer, my view just changed. My kids at first didn’t know what I was doing and would come asking me for help or for an activity. I would gently set my book down and say, “This is my quiet reading time.” It took time and consistency but my children started finding their own quiet reading spots. My son Liam would be in his big wide chair in the corner of his room. My son Grady would be on his bean bags talking out a story as he looked at pictures and watching his hands become characters. My beautiful Ella would be cozy in her bed. Sometimes they would join me on the couch and we would cozy up in my corner. This rhythm worked for us and still does on our long summer days. We can hit the ground running and know that we have a place and time to rest. And when we miss it, it becomes even more special. My corner hasn’t changed but my stack of book has, and the pile has grown. I often start one to three books at a time, my minds retreat.

The third and last tip, I gleaned, was running the “I’m bored” experiment. I would hear this a lot from my children, especially over the summer when things felt slower. I never knew what to do when I heard this. I didn’t want to preach. I had often heard growing up “Bored people are boring people”. I didn’t believe this was accurate. I didn’t want to create a list of activities, that all would be shot down! I did want them to be heard and I did want them to find something they could be wildly creative with! So here is the suggestion, just listen, acknowledge and walk away. It might be something like this, “I’m bored”. You respond, “Oh, I hear you”, then excuse yourself to the bathroom or to get a glass of water or make a quick call. Give them time to sit in their boredom and see what it leads too. You might be surprised and so might they!

We live in a society that is always running, always busy. The more activity the better! We become human doers, not creators. Sitting still with ourselves helps us to really feel, to become in tune with ourselves and others, and to create beauty. That quietness might feel like boredom at first to those of us on the go, but maybe it’s really peace. I think that’s a good place to be. I hope your summer is filled with connection, rhythm, rest, play, adventure and most of all peace!!

 

~Clare Bonn