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Sentences are Poetry!

How do we get students excited to write a sentence?

I’d start the lesson with this whopping fact:

Every year more than a SEPTILLION snowflakes fall on Earth.  Hundreds of inches of snow falls on the Sierra Nevadas here in California alone! Septillion is a cardinal number—a “quantity”—that’s represented by the numeral 1 followed by 24 zeros. One septillion is a very BIG number!

I’d follow this with some smaller, yet still amazing facts:

Snow is made up mostly of air:

Fresh snow contains a bunch of trapped air, which is why it feels light and fluffy. 

Snow is frozen water:

Snow is simply water vapor that has frozen into tiny ice crystals in the clouds. 

Snow can fall even when it’s not very cold:

As long as there is enough moisture in the air, snow can fall even at temperatures slightly above freezing. 

Snowflakes are six-sided and unique:

Depending on the temperature and humidity, and because each falls through the air differently, they have unique patterns and six-sided shapes—needles, columns, and plates.

Close the lesson with another BIG fact:

The biggest snowflake, recorded in the Guinness Book of World Records back in 1987, was found in Montana. The snowflake was 15 inches in diameter and 5 inches thick! That’s one BIG snowflake! I’d likely mock up a way to help them see this fact:

Next, I would read some wintry books. Here are some favorites:

The woodland animals were all getting ready for the winter. Geese flew south, rabbits and deer grew thick warm coats, and the raccoons and chipmunks lay down for a long winter nap. Come Christmastime, the wise owls were the first to see the rainbow around the moon. It was a sure sign that the big snow was on its way.

Here we’d think about winter taking place in the natural world. We’d explore the four seasons, focusing in on winter.  As the animals watch fall slipping away and prepare for winter, students will follow, learning important information along the way.

No one thinks one or two snowflakes will amount to anything. Not the man with the hat or the lady with the umbrella. Not even the television or the radio forecasters. But one boy and his dog have faith that the snow will amount to something spectacular, and when flakes start to swirl down on the city, they are also the only ones who know how to truly enjoy it.

Now it would be time to write: “This wonderful book begins with three short sentences.”

The skies are gray.

The rooftops are gray.

The whole city is gray.

These sentences have one word in common: gray.

 We have set the stage, ignited curiosity, and offered some really intriguing fodder. Now I’d get into the lesson:

There are four types of sentences:

Declarative sentences give, or declare, information.

Imperative sentences give commands, make requests, or implore.

Interrogative sentences ask questions.

Exclamatory sentences express strong emotions.

Here I’d pull out another book. This one is a book of poetry, but not just any poetry,  these poems are focused on the tenacious birds who stay put in wintry conditions.

We will read several poems together, learn about specific birds, then we will focus in on the blue jay. We will read about the blue jay in the appendix at the back of the book before focusing in on the poem. We will learn that these birds store up to 100 seeds and nuts per day in preparation for winter. We will learn about its tricky ability to hide the store and locate it easily when needed. We will learn about courtship and nest building and the raising of baby jays. This and more. And then we will read the poem.

First we will notice that the poem is two stanzas. Then we will notice something wonderful: All four types of sentences are woven here! We read aloud. As we read we hear the tight rhythm, we hear the perfect rhyme. Isn’t poetry grand?

But now it’s time to craft some snowy sentences, and before the magic slips away, I’d remind my students: Sentences are POETRY!

I would help my students get started (you can too!):

I’d write on the board: In winter…

I’d ask: “What next?”

The student might write:

In winter, animals are hungry.

I ask: Which animals?

In winter, chipmunks and owls and deer are hungry.

I ask: What will they do?

In winter, chipmunks and owls and deer are hungry, so they collect and store food away for the coming snowy days.

Now that is a sentence,” I say to them! That is a sentence that is like a poem:

In winter

     chipmunks and

          owls and

               deer are hungry,

so they collect

and store food away

for the coming

snowy days.

 

 

~Kimberly

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Giving Wings to Haiku of Stars

Feeling crafty?

The best ideas begin with a book.

“Based on Eric Carle’s recollection of his grandmother’s way of drawing a star (directions included), this seemingly simple story also provides insights into an artist’s private world of creativity.” I remember reading Draw Me a Star aloud to my children again and again.

Building upon our last post: Haiku of Stars, why not craft a star to “house” the haiku. Hey, why not give it wings?

Little star in the night

glowing light, floating high

in a cobalt sky.

~Aylen

I wonder if there

are different types of vibrant

stars in other cosmos?

~Jude

Looking up into

the sky, something brilliant,

something like a giant star.

~Claire

 

~Kimberly

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Haiku of Stars

Did you know you can see 20 quadrillion miles away? That’s how far it is to the very brightest star in the sky, Cygnus. And, did you know every single star you see in the night sky is bigger and brighter than the sun? Our sun, after all, is a dwarf star. That’s right a dwarf!

So what has this got to do with poetry?

Everything! That’s what!

Learning to write well does not happen by learning the rules. No! Learning to write well is rooted in wonder. And what is more worthy of our wonder than the 200 billion trillion stars in the universe?   That is an unfathomable number, right? On any given clear night, we humans can only see around 2,000 stars.  So let’s press into curiosity and consider what 200 billion trillion actually means. Seeing only 2,000 of the 200 billion trillion stars is like looking at a single speck of sand compared to all the grains of sand on the beach! This should make us marvel.

Now, back to crafting haiku, it all begins with a single 16 to 18 syllable sentence. This one is 17 syllables:

Words are like stars spilling a symphony from the night’s indigo stage.

Next, break the sentence into three lines:

Words are like stars spilling / a symphony from the night’s / indigo stage.

Finally, polish the sentence into haiku form:

Words are like stars spilling

a symphony from the night’s

indigo stage.

Enjoy the following singular sentences shaped into haiku form:

Looking up into

the sky, a twinkling star was

winking down on me.

~Ayela

Looking up in the

sky, dazzling stars illuminate

the darkness of night.

~Elias

I wonder if there

are different types of vibrant

stars in other cosmos?

~Jude

Looking up in the

night sky, you will see small stars

but they are fiery.

~Jackson

Little star in the night

glowing light, floating high

in a cobalt sky.

~Aylen

Looking up into

the sky, something brilliant,

something like a giant star.

~Claire

Little star in the sky,

your shimmering glow

was shinning so bright.

~Emma

Far away Cygnus, bright

star, radiant pearl in the night

sky illuminates ’till it dies.

~Rowan

Looking up to the dark sky,

I began to see the glowing

bright Big Dipper.

~Kate

When I see the stars

at night, I wonder at the

brilliance of the sky.

~Brynnan

Thank you Mrs. Kontos (Walla Walla Homeschool consulting, WA) and your terrific students. Wonder-FULL. Simply wonderful. Congratulations to these student writers who courageously brought shape to an idea with pencil on paper.

~Kimberly

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Let’s Write a Leaf Haiku

Matsuo Bashō wandered by foot through medieval Japan and kept a diary of his journeys—prose woven with haiku.

There is sublime simplicity in this poet’s observations:

Autumn moonlight—
a worm digs silently
into the chestnut.

Haiku are the little powerhouses of the poetry world! They are a fun challenge involving the best of word play mixed with a little finger counting to get the syllables just right!

Here’s a little lesson to help you get started:

1. Haiku poems consist of a three-line stanza that has a total of 16-18 *syllables written in the following pattern:

Line 1: 5ish syllables
Line 2: 7ish syllables
Line 3: 5ish syllables

*Slight variations in syllabication is appropriate as this helps the poet maintain the “one thought in three lines” rule.

2. Haiku poems like photographs, capture moments in time. The “haiku moment” snaps a scene for the reader to experience.

3. Haiku poems were originally written as introductions to much longer works of poetry and should be written as one thought in three lines.

Ready to write?

A great way to begin haiku is with a short descriptive sentence:

Beautiful old maple tree, your autumn leaves are floating to rest at the foot of your trunk.

Count the syllables—this one has 22 total—about 5 too many!  Next, break your sentence to a lovely little haiku.

Beautiful old maple tree, your autumn leaves are floating to rest at the foot of your trunk. Now the sentence is 19 syllables, ready to break into the three-line haiku:

Beautiful old maple

your autumn leaves are floating

to the foot of your trunk.

 

Here’s another: In autumn leaves of the Silver Maple turn ruddy and breezily fall.

Count the syllables—this one is  17 syllables. Perfect! Break it to haiku:

In autumn, leaves of

Silver Maple turn ruddy

and breezily fall.

 

Go for a walk. What is your neck of the woods like during fall?  Collect some fallen leaves in a basket. Make simple observations. Begin with a sentences and move to haiku of autumn. Write away!

 

~Kimberly

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The BEST Sentences are Poetic!

This poem is a call to ACTION:

   to see light through the color slide,

   to listen for the sound of the hive,

   to watch the mouse wander its way through the maze of the poem,

   to feel around in the dark for a light switch,

   to waterski and wave at the author who is standing at the shore

   (patiently smiling, I imagine).

This poem is also a REMINDER:

   to NOT tie the poem to a chair and to NOT torture a confession out of it.

 

Deconstructing poems to shreds of rudimentary grammar and mechanics, rhythm and rhyme scheme, always distracts the reader from the ability of poetry to resonate a wonderful thought provoking idea!

Reading poetry aloud helps us listen for the lovely sounds of language.

Reading poetry on the page helps us see the way words work together and empowers us to write splendid, strong sentences.

This poem, as example, is comprised of four sentences. FOUR—count them. Each begins with a capital letter and ends with a mark—four beautifully simple sentences broken into bite-sized fragments. Here, Billy Collins demonstrates how words are woven to phrases, phrases to complete ideas in the form of a sentence.  Furthermore, when a poem is written to help us consider just exactly what a poem is, well that poem is a an ars poetica (click through to learn a little more).

Listen to Billy Collins narrate this wonderful poem here.

 

~Kimberly

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Shakespeare’s Words

Mark Twain once said, “The difference between the almost right word and the right word is really a large matter—’tis the difference between the lightning bug and the lightning.”

But Shakespeare knew this long before Mark Twain spoke these words!

Have you ever received an invitation? Well, you can thank William Shakespeare for bringing that happy word into popularity! William Shakespeare actually invented 1700 words over the course of his lifetime and generously brought them into the wide world through his 154 sonnets and 38 plays.

Dis you know that the rate of words disappearing from English is greater than the rate they are appearing? Yes, the English language is shrinking! I, for one, am so thankful for William Shakespeare and the words he left us to chew on. 

Shakespeare used verbs as adjectives and nouns as verbs. We see the verb “impair” used as an adjective in his play Troilus and Cressida: “Nor dignifies an impair thought with breath.” In his play, Julius Caesar,” he uses the noun “dog” as a verb: ”Destruction straight shall dog them at the heels.” He generated compound words like starblasting and doghearted and so much more! He played with suffixes. He played with prefixes. His imagination was limitless!

Above all else Shakespeare reminds us, like Mark Twain, that every word has unique power to communicate!

Come December, we will be celebrating Twelve Days of Haiku. More details tomorrow, but let’s begin with the prizes! We will be giving away a wonderful pairing of Shakespeare’s Words: A Glossary & Companion and Will’s Words: How William Shakespeare Changed the Way You Talk. We will be offering this pairing to three three winners on the last day of 2023!

 

 

 

 

 

 

 

 

 

More details tomorrow!

~Kimberly

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Three Ideas with Apples

It’s apple picking time! Apples are quintessentially fall. Following are three ideas with apples to help you “switch it up” with activities to enjoy those fall feelings…

One.

Listen to an apple story (this one was a favorite in our house).

Another favorite is How to Make an Apple Pie and See the World by Marjorie Priceman.

Read an apple poem:

A Drop Fell on the Apple Tree (794) by Emily Dickinson

A Drop fell on the Apple Tree —
Another – on the Roof —
A Half a Dozen kissed the Eaves —
And made the Gables laugh —

A few went out to help the Brook
That went to help the Sea —
Myself Conjectured were they Pearls —
What Necklaces could be —

The Dust replaced, in Hoisted Roads —
The Birds jocoser sung —
The Sunshine threw his Hat away —
The Bushes – spangles flung —

The Breezes brought dejected Lutes —
And bathed them in the Glee —
The Orient showed a single Flag,
And signed the fête away —

Two.

Paint some apples. This painting is a “study” (a copycat!). Pick up a canvas, some brushes, and a few tubes of acrylic paint. Before you begin, do some research. Do you know Paul Cézanne? Listen to a story about his apple paintings. Now study the apple painting by Paul Cézanne that inspired the copycat above! The first step of a painting is to prepare the canvas. Create a light brown to wash all over the canvas. This will dry quickly and once it does, use a pencil to sketch the apples—four on the top, and six on the bottom. Notice how each apple has a beautiful organic shape? There are zero perfect circles here! The next step is to add your big brush strokes of color—red and yellow and green. Can you mimic the colors? Here’s a hint: never paint straight out of a tube. To get a Cézanne red, you must mix a tiny drop of green into a quarter-sized blob of the red. To get a Cézanne yellow, you must mix a tiny drop of purple into a quarter-sized blob of the yellow. To get a Cézanne green, you must mix a tiny drop of red into a quarter-sized blob of the green. Mixing with complimentary colors (colors opposite each other on the color wheel) make beautiful complex hues! Practice mixing colors until you have colors that are similar to Cézanne. The dark blue-black outline work is the very last step.

Three.

Draw an apple and write an apple poem! Following are two photographs to inspire a small poem.  Fall is the time of year when we enjoy back-to-school. The leaves are changing and there may even be a scrumptious apple pie baking in the oven! Fall is the perfect season to write our ideas! What better way to capture a wonderful fall feeling than to craft a haiku for a change in season!

 

~Kimberly

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Write a Summer Sink Monster

LittleGuy

As summer sizzles her sunshine, be inspired by a delightful collection of clever images at our Write it…! board on Pinterest to write a poem or two. Write about some whimsical or fantastical creature from your imagination. Begin with sentences that you break into poetic pieces.  Remember to “show” the reader concrete sensory details. Take inspiration from the creativity of Lewis Carroll’s “Jabberwocky” and William Blake’s “The Tyger.”

Example-

Sink Monster

This one lived beneath the kitchen sink:

When I was a child, I could hear its

Subterranean gurgling from the pipeline guts

Of the basement. I could have sworn I saw

The tip of its fin peek out from the drain,

Or heard the snap of its jaws, with its many

Monstrously tiered teeth after turning the faucet off.

~Constance

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Ars Poetica for April

A poem about “what-is-a-poem” is an Ars Poetica.

 

Sometimes a poem is as small as a list.

Sometimes it encompasses all the words we need.

Sometimes a poem is restless buttons  in a jar.

But always,

a  l  w  a  y  s

a poem

is translucent,

waiting to unfurl

its magic.

 

~Kimberly Bredberg

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Caterpillar of Birds

Caterpillar_Birds

Write poem that is at once a story describing an image or event or memory. Be imaginative. Think Caterpillar of Birds. Be the blind man who thinks he is describing a snake but is actually describing an elephant. Draw more inspiration from metaphor and synecdoche.

“The Fish” by Elizabeth Bishop overtly describes the catching of a fish, but subtly describes the concept of choice, the wonder of the natural world, mortality, beauty, and more.

Example:

 

“Dropping a Plate While Washing Dishes”

 

I nearly caught it—

the plunge of dish from hand

frame by frame was frozen

as the slippery china slid,

still fleeced with shining bubbles,

from my gloves, and the wild waltz

of slippery fingers grasping

still failed to stop

its spiral to floor: one frame remains

still rendering in loops—

my heartbeat expanded into

throbs of meaty bass

the second when the runaway

nearly seemed suspended

above the unforgiving tile,

I stood staring like a friend

left behind on a train platform,

even after the floor burst

into a kaleidoscope, shreds

of blue glass.

~Constance