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Words are Supercalifragilisticexpialidocious!

To read is to imagine.

To imagine is to story tell.

To story tell is to write.

This last weekend we went and saw my son in a performance of Mary Poppins. He had been rehearsing for months and it was finally his time to “wow” the audience from the big stage. Everyone came armed with their role and their costumes and their props and their accents. The stage was transformed and we were transported to London in 1910. The main stars of Mary Poppins are of course, Mary Poppins and her magical chimney-sweep friend, Bert. But the story itself really centers around the father, Mr. Banks, who sees his role as a father as strictly providing and not in nurturing. As the musical performance played out, the audience experienced the magic, the struggle and the transformation in the family and especially in the father. Mr. Banks was no longer a 14-year-old boy, but a man struggling in his role of provider, husband, and father.

I reflected later that we as human beings need to share our ideas, feelings, and stories. I never could know how it felt to live and be the head of a house hold in 1910, in London. Things we will never experience, we can feel and learn through stories.

In Pages online, we read a terrific story during this last session with my middle school Level 3 students called Banner in the Sky. This book was about a boy climbing the highest mountain, the Citadel, in the Swiss Alps. It is a fictional book but based on real research and experience climbing. As we read, we were transported to these mountains, holding on for our lives, experiencing the harsh weather conditions and the strength of the climbers both physically and mentally. Before this book I had never pondered what climbers experience.

 

Books take us places we have never been to experience things we will never do.

 

Through books we get a glimpse of the past we never experienced. We learn about things we have never done. We ponder what things might be like in the future. In my Level 4 Pages class, we read The Giver—a book that talks of a newly created community where everyone lives in sameness, under a set of rules where the weak and rule breakers are sent to Elsewhere. Memories are too painful for people, so they are taken away and placed with one single person, a person separate from society, called the Giver. The book is set in an unspecified future with no exact date. This young adult dystopian novel was written in 1993 and has sparked questions about conformity, individuality, unexamined security, freedom and the importance of our past and experiencing pain.

Blackbird and Company has created curriculum to accompany the journey and adventure of books; comprehension, setting, plot, vocabulary, themes, motifs and symbols are covered. But we really dive deep when we ask the student or should I say the writer to write, their ideas, feelings, opinions, beliefs. Our prompts ask, what tricky or fearful experience have you encountered? How did you get through? What would you do if faced in the same situation as the character? What do you want to do when you get older? Who influenced you?

Suddenly we are telling a story—our story—we are the writer of our story!

 

To write, we need only to start with a word, a phase, then one true sentence. It sounds so simple, but the words we choose to use are important, meaningful. We can paint pictures with our words, create dramatic scenes, show painful, tragic moments, create laughter, and love. In the performance of Mary Poppins, one of my favorite scenes is when they sing the song, Supercalifragilisticexpialidocious! Mary Poppins, inventor of this word, gets the whole stage singing her brand new magical word! Simply said, it is something to say, when you have nothing to say!

When you look up “supercalifragilisticexpialidocious” (the magical word of Mary Poppins) in the dictionary, there it is, defined as: something extremely good or wonderful.

What a challenge that word would be to put in an essay, but much more powerful, might I say magical, than simply saying something is good.

Mary Poppins would say to our students: Learn words, words and more words!

By the age of 5 years old children recognize at least 10,000 words. By 10-years-old, children can speak and write an average of 20,000 words and learn on average 20 new words a day. They can also understand the fact that words have multiple meanings. A High school student may know anywhere from 25,000-50,000 words. When I looked up the average vocabulary for adults, it ranged from 20,000-35,000 words. Children double their vocabulary between 5 and 10-years-old, learning an average of 20 new words a day! But over 10-years-old, learning new vocabulary slows or even stops. An average teen or adult might just have a vocabulary of 25,000 words. That’s only 5,000 more than a 10-year-old, maybe staying this way for their lifetime.

We have moved away from books you hold in your hand and dictionaries you flip through. We’ve have moved to media. As a whole we have moved away from writing with a pencil and instead typing on the computer.

How do we inspire our students to read and to write and to thing? How do we keep them learning, and adding to their vocabulary? To become the communicators of the future? How do we inspire our students to be writers who express that wonderful one true sentence? To bring that idea, that feeling, that story to life? How do we make what feels impossible, possible?

 

Mr. Daniels, of Fish in a Tree, instructs the main character, Ally, to draw a line between the M and the P in that word impossible.

 

I M / P O S S I B L E

 

“So, now, Ally…….that big piece of paper in your hand says possible. There is no impossible anymore, okay?”

We can create possibility. We can create words and meaning. The possible starts with YOU. And the way I see it, with a good book and some time.

“In this world of words, sometimes they just can’t say everything.”

Or can they? I would like to find out!

 

~Clare

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Writing New Words

“The difference between the almost right word and the right word is really a large matter—’tis the difference between the lightning bug and the lightning.” ~Mark Twain

All great writing begins with singular words. Vocabulary development begins in infancy. Babies move from babbling to utilizing whole words during the first year of life. Before entering Kindergarten, they are understanding and using a lexicon of around 5,000 words! As students begin to read, this vocabulary will increase exponentially.

Unfortunately, vocabulary development exercises often become disconnected from purpose. Words are singular, possessing significant specificity.

“I know nothing in the world that has as much power as a word. Sometimes I write one, and I look at it until it begins to shine.” ~Emily Dickinson

Challenging our students to actually use new words in their written ideas will guarantee that these new words are etched into memory. Actively igniting words—reading, speaking, and writing—is the art of communicating.

Over the course of the school year, Operation Lexicon will grow your student’s lexicon. Each week your student is presented with four words ABCeDarian style—four A words, four B words, four C words and so on—from the lexicon of a significant author.  Students will not only explore the words being used in the context of exceptional writing, but will employ the words in new ways. Setting your student on an adventure with words, not just any words, but the words great writers use, will help them understand just what words are worth.

Of course students will be using new words to construct sentences. But, perhaps more importantly, students will construct narrative passages using the new words presented each week. One Crafting a narrative passage can be fiction or non-fiction, or, it can be something in between. Narration is a significant genre of writing where the goal is to tell a story. Story details can unfold in a linear or non-linear manner. Practicing this art form is a significant goal for students throughout all of education. Operation Lexicon provides an ongoing opportunity to practice this work simultaneous to acquiring a rich vocabulary.

Four Words from the Work of E.B. White

inquires, irksome, idyllic, injury

Set the Stage

Offering students a setting to spring from is a great way to begin. Here students were presented with information about pistachio groves and a little bit of pistachio lore. The lesson didn’t take long, just long enough to spark an idea.

Pistachio trees were introduced to the United States in 1854. Did you know most pistachios produced in the US are grown in California? Pistachios need a mild winter chill and healthy warm breezes to thrive. But coastal regions are not ideal. The pistachio is a small tree that begins to produce fruit during the fifth year after planting and only reaches full maturity after fifteen years. April frosts will kill flowers and cool summers won’t promote good kernel development. Favored by the Queen of Sheba, known as the smiling fruit, from the hanging gardens of Babylon, to the Venetian court, these bright green nuts have a rich history.

 

Get Writing

The following 175-word narrative micro-story was inspired by the essence of the above details. Students were encouraged to create a scenario with two characters, real or imagined, connected to a pistachio tree. The lesson concluded like this: “Now, use this information and the four words of E.B. White and begin your story in a world once upon a time, one fine day in fall…

One breezy day in fall, Monarch and Bluebird have an argument in the shelter of a pistachio tree.

Bluebird hungrily inquires, “Hey colorful Monarch! Are you delicious?”

Frightened and fibbing, Monarch replies, “No Bluebird! I’m bitter! My orange and black will mix together and make a most irksome ache in your stomach!” Feeling an ominous chill, Monarch coyly suggests, “Surely this idyllic tree is big enough for us both. Why don’t you take the shady side and I’ll live on the sunny side?”

Bluebird, pausing to decide if the butterfly is telling the truth, finally says, “But your colors are enchanting. I can’t let you go!”

“I’m warning you,” says Monarch. “You will regret eating me!” He flutters farther down the branch, distancing himself from the bird among the toasted foliage.

Bluebird hops closer for a second look. “Perhaps, on closer inspection, those stripes do look dangerous.”

So Monarch flutters, hidden on the sunny side of the tree among the leaves and smiling seeds, safe from injury, while Bluebird sings sweetly on the shady side.

 

~Kimberly

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Words in Context

To LIBERATE is to be free from a state or situation that limits freedom.

 

The Liberation of Gabriel King is a beautiful story about the power of friendship and the ability of two children who face their fears in order to become liberated during a time of social, racial, economic, and political turmoil.  The story provides a wonderful backdrop for teachers and parents to discuss historical issues that have relevancy today.

This is NOT simply a story of courage.

This is a quest toward becoming fearless!

Jimmy Carter, 39th President and former Georgian peanut farmer, comes to play a significant role in K.L. Going’s historical story about Gabriel King and his best friend Frita Wilson as they spend summer in small town Georgia between fourth and fifth grade. The plan is for each of them to become liberated from a very specific list of fears. Gabe is terrified of spiders and is bullied ruthlessly. But Frita, by far, has the biggest obstacle to overcome—racism and the KKK of the late 70s.

Setting the stage—a word from our Pages teacher and resident historian, Miss Lori:

“Protagonists Gabriel and Frita are children living in a small town in Georgia. It is 1978. America is in a bad place. The country had just been through Watergate. It is the end of the Vietnam War. Jimmy Carter is president.  The economy is down the drain.  Both Gabriel and Frita’s fathers respected fellow Georgian, Jimmy Carter, because he publicly refused to join the White Citizen’s Council in his town. His business was consequently boycotted. David Duke, in 1974, was named the Grand Wizard of the newly formed KKK.”

Note regarding the derogatory word utilized in the context of this story:

The implications of the KKK’s hateful views are exposed contextually through the delivery of a derogatory word spoken by a hateful antagonist. The author’s intention here is to sensitively expose middle-school readers to the extremely demeaning power of this single word. In the context of the story, Frita has just gotten into a fight with Duke and Frankie, a fight which is broken up by Gabriel’s dad.  Duke’s racist father scolds his son, “You got beat up by a n***** girl (page 15)?”   The whole interaction is observed by white adults, but the only person who confronts Duke’s dad is Gabriel’s father.  Later in the story, Frita tells Gabriel about her and Terence’s (her brother) horrible experience with the KKK burning a cross on their front yard. The presentation of the trauma caused to Frita is handled deftly by the author to bring the reader alongside the liberation Frita desires and to cheer her on.
By encouraging students to ask questions in class and encouraging parents to continue difficult conversations at home, we equip our students with the ability to process feelings as they navigate the harsh realities of racism.  Kirkus Review reminds us: “Readers will enjoy following the sometimes-tempestuous friendship of Gabriel and Frita, and they’ll be completely absorbed in watching the friends and their community come together to stand up against the evil within.” The stated purpose of this publications is to support the curation of library collections with both books of literary merit and inclusive content.

“My best friend, Frita Wilson, once told me that some people were born chicken.”

“Ain’t nothing gonna make them brave,” she’d said. “But others, they just need a little liberatin’, that’s all.” Least that’s how Frita told it.”

We hope that readers will continue to be inspired by this powerful story to go forth liberated beginning with this wonderful sneak peak from Penguin Random House.
Awards and Honors:
International Reading Association Notable Book, 2005
Top 10 Booksense pick
Book of the Month club selection
IOWA Children’s Choice Award nominee, 2009-2010
Massachusetts Children’s Book Award Master List, 2008
Pennsylvania Keystone to Reading Award nominee, 2007-2008
South Carolina Junior Book Award nominee, 2007-2008
Kentucky State Book Award nominee
Rhode Island State Book Award nominee
Children’s Crown Award nominee, Grades 3-5 category, 2007-2008
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Shakespeare’s Words

Mark Twain once said, “The difference between the almost right word and the right word is really a large matter—’tis the difference between the lightning bug and the lightning.”

But Shakespeare knew this long before Mark Twain spoke these words!

Have you ever received an invitation? Well, you can thank William Shakespeare for bringing that happy word into popularity! William Shakespeare actually invented 1700 words over the course of his lifetime and generously brought them into the wide world through his 154 sonnets and 38 plays.

Dis you know that the rate of words disappearing from English is greater than the rate they are appearing? Yes, the English language is shrinking! I, for one, am so thankful for William Shakespeare and the words he left us to chew on. 

Shakespeare used verbs as adjectives and nouns as verbs. We see the verb “impair” used as an adjective in his play Troilus and Cressida: “Nor dignifies an impair thought with breath.” In his play, Julius Caesar,” he uses the noun “dog” as a verb: ”Destruction straight shall dog them at the heels.” He generated compound words like starblasting and doghearted and so much more! He played with suffixes. He played with prefixes. His imagination was limitless!

Above all else Shakespeare reminds us, like Mark Twain, that every word has unique power to communicate!

Come December, we will be celebrating Twelve Days of Haiku. More details tomorrow, but let’s begin with the prizes! We will be giving away a wonderful pairing of Shakespeare’s Words: A Glossary & Companion and Will’s Words: How William Shakespeare Changed the Way You Talk. We will be offering this pairing to three three winners on the last day of 2023!

 

 

 

 

 

 

 

 

 

More details tomorrow!

~Kimberly

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Treasure Trove of Words

Exploring vocabulary is so much more than an activity to check off the list! Words are the building blocks of language, are what we humans use to communicate our ideas, and each one holds certain specificity.

Specificity is a pairing of  the word “specific” (clearly defined) + the suffix “ity” (quality or state of being).  So, this word, which arrived on the scene via the French word spécifique back in the 1600s, means  to hold a special quality.

With this in mind, using a handheld dictionary becomes an adventurous treasure hunt. Students working in our CORE Literature and Writing Discovery Guides will, each week, explore a handful of singular words from the week’s reading. There are many skills embedded into this complex activity beyond the obvious, vocabulary development. The act of searching for a word in an alphabetized catalog reinforces spelling skills, strengthens the ability to problem solve, and fortifies focus. Of course, this process of working for meaning and applying new knowledge, more than anything else, sets this word into stone in the mind’s eye, and places it into a growing treasure chest of words.

This student, who was working in a Level 2 unit tied to Inside Out and Back Again, did a terrific job looking up each word in a held-by-hand Oxford English Dictionary. All of the definitions were copied accurately. Next came the difficult part, using each new word in a new way.

By the time students reach this level (4th and 5th grade), they have worked through Earlybird and Level 1 units and have had this exercise modeled for them. Still, using a word in a new context is a really difficult writing skill. But it is a skill that will empower students to write their ideas with specificity!

Notice the way this student used the word “flecked” below. Even though the definition of the word is correct, the sentence demonstrates the meaning has been confused with the word “flicked” meaning to propel something with a sharp movement. One way to support the student, is to provide an example: flicked the flecked stone. Another trick, is to send the student back to the dictionary to copy the phrase that is used to demonstrate the word in a context. Here the phrase was: whitecaps flecked the blue sea. Encourage the child to craft the phrase into an original sentence. For example: Yesterday at the beach whitecaps flecked the blue sea.

Here’s a peak at the Vocabulary Section from our Level 2 Guide tied to Because of Winn Dixie completed by an end-of-year 4th grader who is delightfully engaged in the treasure hunt and confidently using new words in golden ways!

Using our Earlybird through Level 3 CORE Literature and Writing Discovery Guides, students will explore more than 100 words per year, adding significant treasure that possesses specificity. This will serve them well as they engage in the work of constructing their ideas!

 

~Kimberly

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It’s Spring! Ideas are Blooming…

This time, last year, I was leading an Earlybird Pages session using our Spring Stories thematic unit—such beautiful stories and pictures about spring. Every time we read a new story, we sensed the anticipation in the air. How exciting, to simultaneously see things growing, blooming, changing right around us!

Colors so bright. Food so delicious. Bugs and wildlife transforming.

I planted a garden of my own about the same time. We planted some vegetables from seedlings. We planted some from seed. This garden has been so much fun to watch— from the breaking of ground to the first little glimpse of green as the plant slowly starts to unfurl.

I always research the authors and illustrators before any class I teach. Two of the authors we read about were motivated to write books about their gardens because of memories from their childhood. Monica Wellington wrote, Zinnia’s Flower Garden, and was inspired by her early childhood living in a small town in Switzerland, surrounded by mountains, woods, lakes, orchards fields and farms. Monica writes about subjects she knows about and subjects she wants to know more about. She constantly writes down words and thoughts and collects photos and pictures. She has a big box where she stores her “seeds of ideas”. She rustles around in it when she is thinking of her next book!

Grace Lin wrote her first published book, The Ugly Vegetables, based on her childhood experience of growing Chinese vegetables with her mother, while their neighbors grew beautiful flowers. When interviewed about her ideas for her books, Grace mentioned she travels everywhere with a sketchbook so she can always capture her ideas no matter where she is.

I love this idea of collecting words and pictures from right around us to fuel our BIG ideas! These ideas, once planted, grow inside of us and start to unfurl just like our own gardens. The more we tend to these ideas the more they grow and develop into something bright, open, strong, into something we want to share with the people around us. Our curriculum, over time, helps students collect “seeds of ideas” and supports them in planting and tending them.

Consider our brand new Operation Lexicon Word Collecting. Tied to the workbook, three beautiful books will guide students into the wonder of collecting words. Students learn to tease out word meanings and play with application. Words, like food, can be full of flavor and fun.

Last spring I talked to my students about starting a “seeds of idea” box and carrying sketchpads. I shared with my family my desire to create my own idea box. My son Grady created beautiful flowers on the front. I expanded my idea to include those of my family too! I am excited to continue the work of gardening my ideas this spring and watch them bloom.

There are no limits!

Strong words. Great stories. Beautiful illustrations. May our ideas bloom forth!

 

~Clare Bonn

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Around the Campfire: Kitchen Tales

Let’s talk kitchen literacy.

That’s right.

Think recipe for fun and for learning!

In the kitchen, reading and writing and thinking is delicious!

Once upon a time we had a little wooden step stool in our kitchen that my four would climb up to help me stir up whatever was cooking. In the kitchen, everything your little ones are learning is applied—counting, fractions, addition, subtraction, reading, writing, sequential thinking and so much more. In the kitchen, children experience the complexities of chemistry. They will witness right before their eyes the difference between a mixture and a compound. They will watch matter change right before their very eyes! Like magic, chemical reactions lead to yummy treats!

Let’s talk kitchen words: measure, cup, spoon, knife, pan, water, sugar, butter. Encountering words in the realm that they belong is an excellent opportunity for students to put their language arts skills to task. I used to make moveable labels on 3 x 5 index cards and place them on kitchen nouns. After cooking (and clean up!) I would have them draw pictures on the back of the cards so they could have fun reading and spelling words using the moveable alphabet. The kitchen list of words is endless and will provide your little ones hours of academic fun. One word that is very important in the kitchen is dozen. This wonderful word is also an important mathematical concept  introduced in kindergarten.

About a dozen years ago, Sara wrote her first post. She imagined cooking from scratch akin to educating a child. This brilliant extended metaphor rings true all these years later:

I believe every child is like a blank recipe card and that our job as educators is to teach them how to bring their unique spice to a bland world. Each child possesses a unique cabinet brimming with flavor. One might be like chili powder (which you really need to make a good pot of chili), another cinnamon mixed with sugar, yet another oregano (which gives a great background flavor to many dishes).

And she left us with a brilliant question:

What if our job is to challenge our children to explore the potential of their flavor? Let’s help our children develop their unique recipe for life

So this winter, let’s get cooking!

~Kimberly & Sara

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FREE Spelling!

A wordsmith recognizes the plasticity of language and delights in the potential of a word.

Words are like Play-Doh, moldable, colorful, and brimming with potential.

Learning to spell should be like breaking off a piece of brightly colored Doh, rolling and twisting it to shape, and discovering the wonder of a word!

Did you know that you can make more than 350 words from the word “construction”?

Here are a few examples:

  • Play with making 4-letter words and you will discover: Ruts and Rust
  • Keep going to the 5 and 6-letter words and you will stumble upon the soft and C sound:

           Circus and Citrus

  • And the bigger the words you make, the bigger the surprise:

           Risotto? Unicorn?

Our program, of course, is the perfect pairing with our 2nd and 3rd Grade Collections, but it works well for the budding wordsmith at any elementary level!

We are happy to announce our brand new spelling program. And even more happy to announce that it’s free—yes, FREE! Everything you need to get started can be accessed via the link below.

Set your students happily on their way to literacy.

 

Click through to discover more.

 

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Art of Words

Colograph

Collagraphy is printmaking process that is related to the art of collage. Do you see the connection between the words? It is sometimes called "relief printing" because the subject to be printed is raised from the print block. You can print anything this way, from fiber to sandpaper, feathers to paperclips. 

Stopping to think about the word origin, one comes from the Greek word koala, meaning "glue" and graph, meaning "write". I thought to myself: "Glue…? Write…? …WORDS!"

So our collagraphs were made by glueing words backwards and in reverse onto chipboard to create our print plates. The more words the merrier. Simple enough. From there, the possibilities are endless. Offer a variety fun colors and let students cloud words onto large scale paper in the style of pop artist Sister Corita Kent. The results will surprise you.

 

-Kim

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The Poetry of Words

Writing begins with words.

Enacting poetry is a great way to get excited about words.

Rainy days were bittersweet when I was in elementary school. While the playground was sorely missed, watching the rain run like a waterfall down the side of our classroom that was mostly made of glass was poetic. And of course, there were the rainy day games to brighten the atmosphere. I remember one teacher in particular who introduced us to the best rainy day game of all: Dictionary. She would choose a word that none of us had ever heard and then have us write our made-up definition for the word on a slip of paper. We dropped the definitions into a basket, then she randomly read them out loud and we voted for our favorite. When she read the real definition from the dictionary, she planted, seed by seed, an appreciation for words that has not left me these many years later.

Once, while teaching poetry on a rainy day, I remembered that teacher and the classroom with the glass wall, and with a dictionary in hand, began my own lesson. We were reading a poem by William Wordsworth, I began by having my students think of the poet’s last name as a really great compound word. I went on to share my rainy day memory and began exploring vocabulary from “Composed Upon Westminster Bridge, September 3, 1802,” Wordsworth’s famous sonnet.

We were about to embark on a game of Dictionary with a twist. I would attempt to take my students on a field trip across that bridge, enable them to compose their very own poem. When I gave them the first word to tackle, their definitions were non-specific, close to the real thing, but not precise. I opened the dictionary, flipped then ran my finger down a page, “Infuse, to fill; pervade.” I read the second definition, “To release flavor or healing properties while being soaked,” and then I infused tea in a glass mug of steaming water. The students liked this so much that we experimented. We infused darkness with light by closing blinds to slits and watching light stream in, by lighting candles in dark corners.

After our little game of Dictionary we took a few steps across the bridge, time for the real lesson to begin. I had them close their eyes and listen to the word infuse, encouraged them to let sounds seep into their ears, “The sounds of words matter, so does the shape.”

Now the students in my workshop were curious, “Shape?”

“Yes, shape.” Writers of all ages often forget the vital connection between words and image.

Foundpoetry

I led them into another room, to a table laden with jars of glitter, paint and brushes, drawing pencils, chalk pastels, scissors, glue sticks, stacks of newspaper and magazines, and a basket of Dymo label makers. It was time for my students to “find” poetry and in the process discover the power of words.

I showed the students how to begin with a random block, “Rip out a chunk of words from a page of newspaper or magazine.” I instructed them to read the block of words out of the context of the article, “Now the poet must think about the specific meaning of the words being read to discover a new, personalized, context to place the words into.” I showed them how to paint out certain words to make their new context emerge and to move from there to an original poem. Then I set them free to explore the supplies on the table. They didn’t need much instruction beyond, “Create a poetic collage.”

I am devoted to connecting writers to words by teaching them to crave what all good writers crave: Specificity.

Taking time to consider words is an undervalued skill, is often considered a tedious task. Taking the “boring” out of something ultimately involves changing the attitude about the task. Exploring words is an adventure. Learning to use a dictionary, the kind that you hold in your hands, is the skill that over time will allow young writers to infuse the worth of words into the world.

– Kim