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Totem Poem

  AlainDelorme_Totem14

Take inspiration from , which centers on the juxtaposition between the traditional and modern state of China, especially Shanghai. What would it be like if everyone had to visibly drag some part of the past with them, in such enormous amounts? What would you drag with you? What would that part of your past look like? Would you proud or ashamed of it? Would you try to cover it up as you dragged it around?

 

Example:

Red Balloons

 

There is a man

who walks around

the city park

every weekend,

carrying a red

balloon. I’ve heard

people say that

he used to sell

balloons in the

park with his

wife, who always

used to wear

a large apron

that was bright red.

No one knows

what happened

exactly, but eventually

people started to

notice that the man

comes to the park by

himself now,

and sometimes

when he comes early,

the only sound

except for the chattering

of some sparrows

is the quiet squeak

of the red plastic as

he runs his hands over it.

 

-Constance

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Sail/Whale

Moby

 

Write a story inspired by this  by Max. Be sure to include a constant undercurrent of apprehension in your tone.

For example, in “The Lottery” by Shirley Jackson, a subtle mood of apprehension and suspense is built when Jackson withholds key details about the lottery from the audience. In “A Game of Chess” from “The Waste Land” by T. S. Eliot, Eliot creates an apprehensive and anxious tone through diction and sound. You can also draw inspiration from musical devices– in Florence + The Machine’s “Breath of Life,” a musical sense of apprehension is built through a prolonged build-up, increasing volume and tempo, and long extensions of notes in a minor key. How might you translate such devices into a simple lyric form such as haiku?

 

Example:

hungry

 

tiny white sailboat

below it, a whale’s black shadow

mouth already open

 

-Constance

And be sure to visit our Pinterest, Write it… board for more inspiration. 

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Observing Pumice

Observation

A few years ago Sara brought me a handful of pumice from Mount St. Helens and so I began the lesson with research of the volcano. We moved from there to the chemistry of carbon. When it comes to Observation, the possibilities are limitless. At last, directed the group of Observers to create a close observation drawing in conduction with the research in their Observation Journals—including a close focus section.

This little jar of fodder has proved more valuable than any textbook. This drawing by Marlo began with value—organic shapes of darks and lights. Once she was satisfied with the large shapes, she began to look for texture, began to mimic what she saw with varied lines on the page. Smaller still, she added dark marks to represent the deep bubbled areas on the volcanic stone. Most significantly, Marlo kept going—she kept looking. Perseverance is a skill that can not be be taught from a textbook.

 

Can anyone learn to draw like Marlo?

Indeed, YES!

Yes, yes you can. You can draw like Marlo, but first you must learn to observe.

Observation is a foundational academic. Learning to "look closely" across all domains of learning will strengthen the student's Creative Critical Thinking skills. For this reason, Observation exercises should be integrated into the weekly routine to transform this crucial skill to a Habit of Being

-Kim

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Important Work: the Art of Integrating Literacy

BOOKS

Blackbird & Company Discovery Literature Guides are designed to integrate the skills of reading and writing. 
Over time, the curriculum will enable your children to develop the tools necessary to independently analyze and respond to great stories. Our goal is to help the child work independently freeing up the mentor’s expertise. Each week, the mentor has two tasks:
 
1. Read the section to facilitate discussion, helping your readers tap into the heart of the story. Our guides have discussion questions built into every section, providing the framework for weekly interaction between you and your children. Questions are designed to spark student’s memories, trigger their interpretations, and get them thinking beyond the page about how a story can relate to their actual lives. In time, students who participate regularly in a discussion circle will become excited and amazed about what they glean from books.
 
2. Conference with the writer, lending expertise necessary for the emerging writer to gain the skills necessary to articulate an original idea on paper. Encourage young writers in Levels 2 through Level 3 to develop the skill of self-conferencing —having drafted, re-read, and made self-edit marks in red. 

Establish a routine. The comfort of routine, once established, will set roots deep into soil, establishing a framework for the tree to grow strong. The following schedule—45 minutes to 1 hour per day—will allow your children to pace (not RACE) through the Discovery guide and establish the Habits of Beings specific to literacy.  

Saturday & Sunday – Read the new section over the weekend… Create a tradition of cozy reading!
Monday- Complete the vocabulary Acquire and begin taking notes in the Journal (Characters, Setting, Plot)
Tuesday- Complete notes Journal (Characters, Setting, Plot) and begin comprehension Recollect
Wednesday- Complete the rough draft Explore, re-read and make edits with a red pen
Thursday- Conference with an adult mentor and complete comprehension Recollect
Friday- Complete the final draft, carefully re-reading and implementing all edit suggestions 

We remember the things we discover for ourselves. As your children grow, the intensity of the important work that will enable them to discover, increases. Work is GOOD!

Remember, no child is able to do the work of bringing an original idea into the world without the tools. You can present a child with oil paint, for example, but without the skill to utilize the tool properly—color theory, practice mixing, good brushes and so on—the child will produce muddy colors.

Nothing fosters the higher-level thinking that allows students to form new ideas and opinions about real life more than hashing through a story in a discussion circle. What begins as an imagining in the mind of the writer is translated to story, and in turn, transferred to real life through group discussion. Integration is a powerful tool.

-Kim

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Through is a Way Out

Through

 

Write about an unexpected sliver of nature found in the city. Find inspiration in the dandelion between sidewalk cracks, the butterflies in South Central L.A., rain in the parched corners of downtown.

 

Example:

butterfly in the subway

 

did no one notice how you wandered in,

like that one person at a party

who came late and doesn’t know anyone,

and after tipping his hat at the birthday boy

bobs his fluorescently orange way out?

 

-Constance

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Write for Real

Fingerprint

The exchange always goes something like this:

“I can’t teach writing.”

“Yes you can! If you have ever been inspired by words on a page, then you can teach writing.” 

If you can read and ask questions when you read something that is not clear, you can be a writing mentor. Whether we are reading a newspaper article, a scientific journal, a novel, or a poem, who wants to read words that are void of ideas? 

Great writing begins with an idea crafted to words on a page by a courageous writer.

Madeline L’Engle in, Walking on Water: Reflections of Faith and Art, confides, “I am grateful that I started writing at a very early age, before I realized what a daring thing it is to do, to set words on paper, to attempt to tell a story, create characters.”

The most important thing we can do when it comes to teaching a child to write is to value their imagination and to teach them to do the same.

In my book, Habits of Being: Artifacts from the Classroom Guild I’ve collected snapshots from my experience teaching my own children and students in my Guild to demonstrate just what happens when they engage their curiosity. 

Ask yourself, “Do I want my child to write formulaically or to write for real?” 

Teaching children to write for real begins by teaching them to believe that their ideas are important enough to do the work of shaping words on a page.

Teach your children to become storytellers. Regardless of domain—fiction to non-fiction—great writing tells a story. Writing is a wonderfully tedious process. Provide writing opportunities that teach children the cardinal rule of real writing: Imagination first. After all, imagination is the seat of great ideas. When children discover that their imagination is valuable and relevant, they will work diligently to refine their voice. Purpose helps writers develop habits of being that motivates them to move through the writing process:

  1. Come up with an idea
  2. Write your idea
  3. Re-read and refine your idea
  4. Have someone else re-read and refine your idea
  5. Polish your words on the page

Moving from reading and recognizing ideas, to engaging in personal expression through writing, develops an awareness of the world at large. When students are encouraged to engage in the process of writing, they will discover the power of words.

Great writing is work connected to the soul. Great writing brings shape to imagination. Great writing evokes, engages, and inspires human curiosity. 

Students who engage in the process of real writing will develop confidence in their voice, strengthen their ability to communicate new ideas and become keen observers of their world. Authentic voice is a one-of-a-kind fingerprint. And those are words on the page that are worth reading.

 

-Kim

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It’s All About the Notes

Bbco_notes

Taking notes is a foundational skill that will accompany your student through their entire educational journey and beyond. Even though there is no right way of taking notes, it is important to learn how to extract relevant and pertinent information from a text in a neatly organized, concise manner. This takes practice. As students are encouraged to practice over time the art of capturing the most important details from their reading, they will begin to recognize how the intricacies of a story fit into a larger picture. This is precisely how a Habit of Being is established.

When readers take note of character development, trace a setting, and watch a plot thicken, they are learning more than just the skill of recording facts, they are actually beginning to realize the potential of storytelling. Teaching students to dig into a story, to do the work of reading for meaning, enables them to discover how language has the power to communicate significance. Learning to take notes helps to lay the foundation for rich, clear, and organized writing.

Some might argue, when faced with a classroom of 30 students, or even when faced with one student sitting at a kitchen table stubbornly refusing to write, that teaching from a textbook that tells the student what to learn is an easier method than pulling teeth trying to nurture the independent skill of note taking. We would argue that learning to extract information from a story trains students to do the hard work of, not only attending to the details of reading, but more importantly to develop the skill of integrating knowledge into life outside of the book. As students discover the details and framework that make a story great, they will apply this new-found knowledge to broader academic pursuits in all subject areas.

-Kim

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Gathering to Celebrate Books

 

BooksGather

 

Nothing fosters the higher-order Critical Creative Thinking that allows students to form ideas and opinions about real life, more than hashing through a story in a discussion circle. What begins as an imagining in the mind of the writer is translated to story, and in turn, transferred to real life through group discussion.

Blackbird & Company literature guides have discussion questions built into every section, providing the framework for weekly interaction between you and your students. These questions are designed to spark student’s memories, trigger their interpretations, and get them thinking beyond the page about how a story can relate to their actual lives. Add to this the opportunity to cultivate a cozy book-minded community and share original ideas during the fifth week of culminating projects and you will have a crafted a literary tradition. In time, students who celebrate books regularly will become excited and amazed about the potential of the written word.

Consider the following when putting a group together:

COMFORT & SIZE
Gathering in a comfortable area, whether in chairs or sitting on the floor, helps set discussion time aside as special and relaxed. Groups of 6-8 work best for allowing everyone to participate.

READING ABILITY
Clustering students with similar reading skills alows the group to coalesce. As students begin to feel comfortable with their group even reluctant speakers will share what’s on their mind.

CONSISTENCY
Having a regular scheduled time each week helps students pace through their reading and builds anticipation.

DIRECTION
Be inspired by student responses and guide the discussion where it wants to go naturally. Don’t worry if things get a little off track as long as students are thinking creatively.

FLEXIBILTY
Feel free to use the questions creatively. For example, assign each question to a different student for presentation to the group; allow two groups to take sides and debate the pros and cons of a particular question; use the questions as writing prompts for paragraphs or essays; allow students to role play their response to a question. Use your imagination. The possibilities are endless.

 

-Kim

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Haiku for the First Day of Spring

Spring3

On this first day of spring step outside, celebrate the blossoming and craft a haiku greeting.

How to craft haiku:

 

five syllables 

s e v e n  s y l l a b l e s

five syllables

 

1. Haiku poems consist of a three-line stanza—16 to 18 syllables total—written in the following pattern:

Line 1: 5 syllables
Line 2: 7 syllables
Line 3: 5 syllables

*Slight variations in syllabication is appropriate as this helps the poet maintain "one thought in three lines"

2. Haiku poems are typically observations of nature (though the form welcomes other topics), often making reference to the seasons. 

3. Haiku poems are tiny snapshots capturing moments in time.

 

So, a  "haiku moment" describes a scene that leads the reader to a feeling. 

But, remember, your three lines should be woven to a single thought: 

 

and I croon in the

scent of Spring's dotted song, swoon

in her blossoming colors 

 
Spring4
 
Spring2
 
 -Kim

 

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after Robert McCloskey

McCloskey

During the fifth week of Discovery, Section 5 encourages each reader to develop a creative culminating project with options that provide a variety of ways to demonstrate deep understanding of the book. Your students will not only have a chance to demonstrate their originality, organization, clarity of purpose, and critical thinking skills, more importantly this culminating endeavor will allow them to show off what they have learned in their own, uniquely creative way.

Students really love sharing their culminating thoughts about great stories. Encouraging readers to create Section 5 projects with a high level of execution teaches them that their ideas are valuable and builds integrity into their work.

This sweet and yummy final project was sparked by our Robert McCloskey Earlybird literature discovery guide. After reading Blueberries for Sal, this student was inspired to do a little research on blueberries and bake muffins for his friends! Learning over great books is so rich!

Take a look at our Flickr page for some great examples of culminating activities. We’d love for you to share your ideas.

-Tracey