Posted on

How to Find What you Need

Alphabetical Annotations are HERE!

A is for About Authors

All About Blog Categories – You are HERE!

Announcing – Click through to find out what’s new and happening at Blackbird & Company.

Arts Guild – All things visual and musical and pertinent to learning.

Campfire – Join us in January for inspiration and offerings to start the long leg of the school year off right.

CORE ELA – Tips and Tricks and Tools

Discovery – Key insights into the important work of building the fund of knowledge.

Hatching & Earlybird – Insights and inspiration for little ones in Kindergarten, 1st, and 2nd grade.

First Post

Habits of Being – Foster perseverance and you will weave a habit.

Operation Lexicon – Words, words and more words to grow a vibrant vocabulary.

Litropolis – Read Well = Well Read

Maker – Made by hand is an essential skill.

Momologue – Philosophical musings from the women of Blackbird & Company.

Observation – Da Vinci said it best: “All our knowledge has its origins in our perceptions.”

One True Sentence – Let’s follow Hemingway’s advice and write one true sentence.

Pages – Learn about our LIVE online classes.

Pencils – When it comes to technology, the pencil rules.

Print Shop – Downloadable mini-lessons to enrich ELA learning.

Remediation – Strategies for students who need to strengthen reading and writing skills.

Wax Poetic – All things poetic.

Write Ideas – Ideas are the foundation of all written work: Form Follows Function.

Writing Resources – Helps for the writing teacher or parent-teacher to mentor students in the art of writing well.

 

A) CORE Integrated Literature & Writing (Phonics, Reading, and Writing for K and 1st grade),

B) APPLICATION: Grammar, Mechanics & Style

C) APPLICATION: Research, Composition, Creative Writing.

 

CORE ELA

Pencils

APPLICATION

  Operation Lexicon

  One True Sentence

Posted on

Print Shop Coming Soon!

 

Come January, Blackbird & Company will be launching Print Shop!  Our awesome collection of downloadable Discovery activities are designed to engage students, Kindergarten through 8th Grade, in focused, independent work pinpointed on specific academic skills with opportunities to build upon the fund of knowledge.

This month we are releasing a sneak peak, three great Print Shop activities for primary students tied to the letter P for FREE! What is more quintessentially Fall than pumpkins? These multi-sensory activities are sure to engage and enrich learning.

Simply click through, print, and let the Discovery begin!

And, please stay tuned for  more details during our January Campfire 2026.

Posted on

Read a Book / Solve a Problem

“Mom, I sat by myself today at the park. Nobody was playing anything I was interested in. I tried to talk to Luis but he never listens; the game always has to go his way. Mom, Tommy says he has been playing football for 10 years, but he just had his 8th birthday. I don’t understand why he won’t just pass the ball. Gabby kept taking Carlos’s hat. She said it was a game but Carlos didn’t seem to like it.”

When Grady is driving in the car with me or sitting at the dinner table or when his head hits the pillow at night this is the usual conversation or maybe I should say download. I realized during this time how much I just needed to listen. Grady needed time to process these different situations and relationships that came across his path during his day.

How confusing, mystifying, uncomfortable human relationships can be—whether we are 8 or 80.

I was recently introduced to an author named Jon Klassen. The words and the pictures are very simple yet carry a lot of wisdom concerning human relationships.

Three books I read Grady over the course of nights were:

1 ) I want my Hat Back

 2) This is not my Hat

 3) We found my Hat

Grady would smile and laugh out loud. In I want my Hat Back, the main character, a bear, is running around asking other animals if they have seen his hat. He asks another character, a rabbit, (who, by the way, is wearing the bear’s hat) and the rabbit, in a suspicious way, says he hasn’t seen the hat. The bear continues his search until he realizes he has seen the hat… that rabbit was wearing it! He goes back to confront the rabbit, “You stole my hat!” There is a long look between the two. Then comes a picture of bear sitting down, saying he loves his hat, wearing it on his head. Then a squirrel comes passing by asking if he has seen rabbit. Bear answers in a suspicious way, “Who me?” “Why are you asking me? I wouldn’t eat a rabbit, don’t ask me anymore questions.” This story ends with no clear ending. Could the bear have sat on the rabbit? Ate the rabbit? Could the rabbit have run off? Really anything is possible.

I read an interview with Jon Klassen and he discussed these micro-dramas from childhood. He used the example of Frog and Toad books. How these two characters had unresolved, uneven relationships, where one of them needed one of them more than the other. The underlying thoughts, “I have friends who could leave me or I have friends I could leave. I don’t like them as much as they like me or vice versa.” I researched the author of Frog and Toad after reading Jon Klassen’s interview. Frog and Toad happened to be my childhood favorite as well. It was interesting to find that Arnold Lobel wrote Frog and Toad based on his experiences from second grade. Lobel was sick and out of school for most of that school year and kept himself busy by drawing. He used his animal drawings as a way of coping with the insecurity of his return and making friends. He used these experiences to write Frog and Toad.

Kids don’t want to analyze these relationships. In stories, like in life at this young age, they want to watch them play out—Jon Klassen reminds: validate that they exist.

Isn’t this part of human nature, to want to feel we are not alone in our experiences?

Jon Klassen goes on to explain that children don’t need to know the motivations of characters and can understand questionable behavior in an unexamined way. Kids don’t ask “why did he do that”, like us adults who like to analyze and pull out the meaning or morality.

How would an author answer the why?

Isn’t that for the reader to get too or not get too?

Is there really only one answer to what motivates human behavior?

Children don’t have to ask all of the whys to understand it can happen. Grady didn’t need to ask why the bunny took the bear’s hat or how the bear got the hat back. He related in the human experience, of having something taken and wanting it back, of finding it and getting it back. This is Not my Hat, shows a small fish taking a hat from a big fish and all his internal thinking about it why he does it. What a beautiful example of what we do as humans when we want something and dance into our internal justification. We laugh while reading because we all relate on some level. No story needs to be added to why stealing is wrong. We can all understand the higher moral value but also total relate with the very human behavior.

We Found a Hat, beautifully demonstrates the inner conflict when two friends find something they both want but there is only one. Our desire for something for ourselves mixed with our feelings of wanting to share and be honest is, again, common human nature. It is rarely just a clean action of what’s right.  It’s a pull and push to serve ourselves and someone we care about.

And then there is Jon Klassen’s book, The Rock from the Sky, that pushes us adults right off the ledge! The book is about what we cannot control.

Where a rock will land. What could happen in our day. What the future might bring. How things we can imagine will change and all the things we can’t imagine and all the questions that go with it, the what, why, how, when and where! There is SO much we can look up for children now, so much on-the-spot-access to information. We can know a lot of interesting facts. But in the case of our lives, the unknown is our future and the daily things that can happen that are out of our control. This book is addressing the fact we don’t know everything and we are not supposed to know. Part of life happenings are luck, timing, paying attention, listening, trusting, asking for help, admitting we don’t know!

So when I sit down to read Grady a book, especially a Jon Klassen book, I remember that Grady has had a full day with really big experiences. When Grady talks I listen. When we read I let the story be felt. I don’t have to pull the moral or give him instruction on who he should be. I watch him smile and laugh and I let the moment be. I give up my adult longing to know why and I sit on the ledge with the unknown. I become friends with the right now and that is enough.

-Clare Bonn

Posted on

Moving BEYOND the Topic Sentence

Squirrels are everywhere. That’s for sure! Most young writers have had a squirrel encounter or two. Tapping into a rich storehouse of knowledge is a great place to learn to craft a HOOK—not a topic sentence, a HOOK! The best place to begin a writing lesson is to tap into what the writer knows and to read a book.

Nuts to You by Lois Ehlert is a gorgeous and simple story of a quintessential city squirrel who, naturally, zips mischievously through life. Told in lively rhyming verse with beautiful collage illustration, the book is sure to capture the attention of students. At the back of the book the author includes some terrific facts about squirrels. We chose five facts to focus on:

Five Facts About Squirrels

1. Squirrels are rodents

2. They have front teeth—incisors—that NEVER stop growing.

3. They live in big nests or hollow trees.

4. They have five toes on their front feet, four on their back.

5. Their bushy tail is as long as its body.

 

Often times, when facing the blank page, students are intimidated and resort to simplistic, and, well, let’s face it, BORING solutions! Young writers resort to what they have been taught: Open your paragraph with a topic sentence. This is not technically wrong. But we can BETTER equip them!

For example these perfectly fine topic sentence are boring:

Squirrels are cute animals.

Squirrels are everywhere.

And my least favorite topic sentence of all:

I am going to write about squirrels.

So how do we teach our students to make topic sentences sparkle and shine?

We teach the to transform the topic sentence into a HOOK!

To help them get there, I gave them a BIGGER squirrel fact: Did you know that squirrels are everywhere in the world except Madagascar and Australia? We looked at a globe together and marveled at this interesting fact!

Next, I asked them what kinds of noises squirrels make. I got some very fun responses, too! I told them that we writers like to create words that represent sounds and, when we do it’s called: onomatopoeia. They liked that word! Now it was time to craft a HOOK for our paragraph about squirrels.

“Let’s imagine what it would sound like if we could hear all the squirrels all over the world.”

We generated a significant list:

Barking, Chirping Squeaking Squawking, Whistling Scampering Scratching Gnawing Grinding, Rattling, Buzzing, Crying

Next I said, “Let’s include our BIG fact via an Em Dash,” and went on to remind them that this special punctuation mark helps the reader take a long pause while adding some important information to the sentence.

Now we had our fodder and were ready to craft a HOOK! Here’s were we landed:

They are chattering, chirping,  squawking  all over the wide world—everywhere except Madagascar and Australia.

That’s the way to open a paragraph about squirrels!

 

 

~Kimberly

Posted on

Crafting a Wonder-FULL Sentence is Courageous

Staring down the blank page is a courageous endeavor.

Where to begin?

We say: Begin with a BOOK!

BIG ideas are sparked by knowledge + curiosity.

“All you need to do is write one TRUE sentence,” so said great American author,  Ernest Hemingway. But what exactly did he mean? Let’s face it, accuracy of expression may be learned in a grammar book, but depth of expression begins when a writer decides to pick up a pencil and scratch an original idea onto a blank sheet of paper. The first, BEST lesson, is to teach your students that writing about wonder leads to wonderful writing.

Here are four ways to compose a wonder-FULL sentence about owls.

First let’s gather information.

When faced with the blank page, first things first, press into food for thought. For this lesson, we dove into  Animalium for Kids, by Kate Scott and Jenny Broom. With over 160 specimens to explore in this wonderful biological compendium, we are narrowing our focus to Owls. We don’t need an exhaustive study here—this is a sentence writing exercise after all. We need just enough information to become curious and inspired to write. Getting ready to focus on composing even a single sentence requires gathering intriguing information.

The owl entry in this book is just enough to spark curiosity.  After reading, focusing in on the amazing illustrations, sharing what we found amazing about owls—storing new facts in our memory, adding to our growing knowledge of owls—we made a list:

  1. There are two main families of owls within the order Strigiformes: Tytonidae (barn owls) and Strigidae (typical owls).
  2. Huge owl eyes are stationary, fixed in their sockets—no eye rolling!
  3. Owls can rotate their head 270 degrees.

Next, let’s review the four types of sentences:

Statements are declarative. Statements tell us something.

Are questions interrogative? (Yes.) Questions ask.

Commands are imperative. Commands demand action.

Exclamations are exclamatory! Exclamations roar!

Now, let’s get writing.

A our first attempt at “NOW, let’s write a statement together,” I listened and wrote the group consensus on the board:

There are two types of owls, typical and barn owls.

Here’s where writing get’s fun! Add details, rearrange, think about word choice to make the above statement a tale that will turn heads. Follow the W Rule:

WHO, WHAT, WHERE, WHEN, WHY, to WOW the reader!

For this sentence, I had a basket of blocks all different shapes but only two colors that I poured out onto the floor, asking my students to quickly sort by color. We, obviously, ended up with two colors. Then I gave them another fact about owls—there are 200 species in the world—and asked them to help me add this detail to our statement. Here’s what the group came up with:

All 2 million owls in the world (200 species) can be sorted into two BIG piles—Strigidae (typical) and Tytonidae (barn owls).

Finally, let’s translate the statement to a question, command, and an exclamation:

Statement:

All the owls in the world (all 200 species) can be sorted into two BIG piles—Strigidae (typical) and Tytonidae (barn owls).

Question:

Isn’t it amazing that all 2 million owls in the world (all 200 species) can be sorted into two BIG piles—Strigidae (typical) and Tytonidae (barn owls)?

Command:

Please sort the 2 million owls, all the owls in the world (all 200 species) into two BIG piles—Strigidae (typical) and Tytonidae (barn owls).

Exclamation:

All 2 million the owls in the world (all 200 species) can be sorted into two BIG piles—Strigidae (typical) and Tytonidae (barn owls)—Wow!

There you have it, all four sentence types in one fell swoop! Once you’ve tackled this exercise a few times as a group, it’s easy-peasy to make it an independent activity—from gathering information to four TRUE sentences!  Ernest Hemingway would be proud.

 

~Kimberly

Posted on

Flourishing an Idea: Before & After

Mozart Season Bundle

Aesthetics is a set of principles that inform the outcome of a work of art. Aesthetics taps into that part of our being that connects with beauty. After reading The Mozart Season,  students knew right away the section of the story that would inspire the most creativity. I saw this in action. And when readers stumble upon this three-page passage, well, Section 5 happens.

As the story goes, when Allegra and her mother’s friend, Diedre spend an afternoon in the Rose Garden, well, music happens. Nestled atop a hill in the park is a silvery aluminum sculpture. There are tall columns and arched columns, smaller columns and water uniting them all.

“It was Diedre who started the song. She began slowly, BONG bong Bong bong with her knuckles on the three big columns, walking between them.”

Now I’ve seen some fantastic creative responses to The Mozart Season (some that have won awards), but when this past year, one of my students finished the book and brought in her Section 5 project to share, I marveled that, yet again, it was in response to this specific music-making passage.

And the project she brought in was not only “nique” (as Allegra and her friends would say), but also a perfect opportunity to share some tips to elevate the Section 5 project artistically.

With a cardboard box, some discarded bottles, aluminum foil, a few scraps of notebook paper, one green marker, Scotch tape, and a pitcher of water, my student made a musical instrument! While I have seen many musical instruments (even musical compositions) inspired by this little section of The Mozart Season, this one captured my imagination. Think “don’t judge a book by its cover” for a moment. This homely little project surprised me with rich sounds made from filling the bottles with different levels of water and blowing gently across each the neck. Oh! I was simply tickled, “My favorite Mozart invention so far!”

But the poor dear was in desperate need of a makeover. So I gave the maker a simple lesson.

So following is the simple make-over:

BEFORE

 

  1. To begin, if you are going to use a box (and boxes are a great way to begin), always paint the box! Give yourself a blank canvas upon which you can build your idea. A coat or two of gesso or acrylic paint will do just fine.
  2. Use more than one art medium. Here for example, using green marker and green paint on both folded and crumpled paper makes the viewer read ‘foliage” more clearly.
  3. Give the reader an anchor to the book where the idea originated by posting quotes around the project.

You don’t have to be an artist to make your idea beautiful. And, think about it, ideas are meant to be appreciated. So, go on, beautify.

AFTER

One last thought… There is a trend in all sectors of education to discount the reading of pure fiction. This is not wise. This quiet little story is, in my opinion, powerful proof why we all need to read across many genres, read all kinds of stories. Every time I’ve led students through this purely fictional story set in a very real setting (the competition that Allegra is working toward is a real competition that happens annually in Oregon), they read a few pages and groan. But by the time they get to the end, they have a deep appreciation for the rich story and significant fodder for their creativity to unfold.

~Kimberly Bredberg

Posted on

Coming this APRIL: The Wonderful World of Phonics

Do your students shut down at the mention of reading?

Do they cringe when you gently hand them a freshly sharpened pencil, suggesting it’s time to write an idea?

Some students need a little extra support to unlock the code that is key to engaging in the act of reading and the art of writing. Our targeted and systematic approach will bridge the gaps. The goal here is for students to overcome challenges, and to ultimately enhance comprehension and spelling skills.

Reading is the act of translating code on a page to speech—spoken aloud or silently to one’s self.

Writing is the act of crafting code to a page in order to communicate an idea.

                                 So let’s begin at the beginning:

Phonemic Awareness  is the ability to hear and manipulate the individual sounds that make words.

Phonics is the relationship between the sounds we speak and the alphabetic letters or combination of letters that represent those sounds.

Morphology is the study of how words are formed and possess specific meaning.

Etymology is the study of word origins and the way meaning evolves throughout history.

Fluency is the ability to read fluidly and with expression.

These five elements of literacy are the foundation of our remediation toolkit.

Once the student has worked through the initial placement, the journey begins. From assessment, through instruction, to mastery—our toolkit will guide your students every step of the way and beyond.

Posted on

Leonardo Coming Soon!

Look

Imagine

Create

“All our knowledge has its origins in our perceptions.”

                                                  ~Leonardo da Vinci

Observation begins with a question: What am I seeing? In a world filled to the brim with stimulation, it is easy to take our senses for granted. Though we are usually quick to have thoughts on things that we taste and smell, sight (of all things) can often be overlooked. We see so many things on a daily basis that it’s easy to forget to stop and really look.

You might assume that this is true for things we only see once, but oftentimes this overlooking occurs with things we see on a daily basis. Think about the patience of your front door. It’s waiting every single day for a passerby. Surely you walk by it and through it several times a day. But when was the last time you truly observed your front door? Are there new cracks? Has the paint faded? Has the metal of the hinges or doorknob tarnished? Most of us probably couldn’t answer these questions without going to have another look.

Observation is not just for the artist making masterpieces or the scientist performing meticulous experiments. It is for us to better understand and know the world we live in. It is for us to learn to move past assumptions and fill our minds with sighted knowledge. Our world with is briming with sights to see, so let’s dive into the art of observation.

There is nothing like art-making to engage students in active learning. Leonardo da Vinci, the quintessential Renaissance Man, made over 13,000 journal observations during the course of his lifetime, and as he did, he not only gained an enormous body of knowledge, but also created masterworks and made significant discoveries that he generously shared with the world. His influence is far reaching.

In our brand new interdisciplinary 20-week unit, students will research the life of the extraordinary Leonardo da Vinci, taking notes along the way in preparation for the culminating biographical essay. They will also learn to slow into the art of observation via weekly drawing exercises. All of the exercises will be supported by online videos that can be accessed at the convince of the student.  Watch our social media for our April website drop date.

Posted on

Sentences are Poetry!

How do we get students excited to write a sentence?

I’d start the lesson with this whopping fact:

Every year more than a SEPTILLION snowflakes fall on Earth.  Hundreds of inches of snow falls on the Sierra Nevadas here in California alone! Septillion is a cardinal number—a “quantity”—that’s represented by the numeral 1 followed by 24 zeros. One septillion is a very BIG number!

I’d follow this with some smaller, yet still amazing facts:

Snow is made up mostly of air:

Fresh snow contains a bunch of trapped air, which is why it feels light and fluffy. 

Snow is frozen water:

Snow is simply water vapor that has frozen into tiny ice crystals in the clouds. 

Snow can fall even when it’s not very cold:

As long as there is enough moisture in the air, snow can fall even at temperatures slightly above freezing. 

Snowflakes are six-sided and unique:

Depending on the temperature and humidity, and because each falls through the air differently, they have unique patterns and six-sided shapes—needles, columns, and plates.

Close the lesson with another BIG fact:

The biggest snowflake, recorded in the Guinness Book of World Records back in 1987, was found in Montana. The snowflake was 15 inches in diameter and 5 inches thick! That’s one BIG snowflake! I’d likely mock up a way to help them see this fact:

Next, I would read some wintry books. Here are some favorites:

The woodland animals were all getting ready for the winter. Geese flew south, rabbits and deer grew thick warm coats, and the raccoons and chipmunks lay down for a long winter nap. Come Christmastime, the wise owls were the first to see the rainbow around the moon. It was a sure sign that the big snow was on its way.

Here we’d think about winter taking place in the natural world. We’d explore the four seasons, focusing in on winter.  As the animals watch fall slipping away and prepare for winter, students will follow, learning important information along the way.

No one thinks one or two snowflakes will amount to anything. Not the man with the hat or the lady with the umbrella. Not even the television or the radio forecasters. But one boy and his dog have faith that the snow will amount to something spectacular, and when flakes start to swirl down on the city, they are also the only ones who know how to truly enjoy it.

Now it would be time to write: “This wonderful book begins with three short sentences.”

The skies are gray.

The rooftops are gray.

The whole city is gray.

These sentences have one word in common: gray.

 We have set the stage, ignited curiosity, and offered some really intriguing fodder. Now I’d get into the lesson:

There are four types of sentences:

Declarative sentences give, or declare, information.

Imperative sentences give commands, make requests, or implore.

Interrogative sentences ask questions.

Exclamatory sentences express strong emotions.

Here I’d pull out another book. This one is a book of poetry, but not just any poetry,  these poems are focused on the tenacious birds who stay put in wintry conditions.

We will read several poems together, learn about specific birds, then we will focus in on the blue jay. We will read about the blue jay in the appendix at the back of the book before focusing in on the poem. We will learn that these birds store up to 100 seeds and nuts per day in preparation for winter. We will learn about its tricky ability to hide the store and locate it easily when needed. We will learn about courtship and nest building and the raising of baby jays. This and more. And then we will read the poem.

First we will notice that the poem is two stanzas. Then we will notice something wonderful: All four types of sentences are woven here! We read aloud. As we read we hear the tight rhythm, we hear the perfect rhyme. Isn’t poetry grand?

But now it’s time to craft some snowy sentences, and before the magic slips away, I’d remind my students: Sentences are POETRY!

I would help my students get started (you can too!):

I’d write on the board: In winter…

I’d ask: “What next?”

The student might write:

In winter, animals are hungry.

I ask: Which animals?

In winter, chipmunks and owls and deer are hungry.

I ask: What will they do?

In winter, chipmunks and owls and deer are hungry, so they collect and store food away for the coming snowy days.

Now that is a sentence,” I say to them! That is a sentence that is like a poem:

In winter

     chipmunks and

          owls and

               deer are hungry,

so they collect

and store food away

for the coming

snowy days.

 

 

~Kimberly

Posted on

Words are Supercalifragilisticexpialidocious!

To read is to imagine.

To imagine is to story tell.

To story tell is to write.

This last weekend we went and saw my son in a performance of Mary Poppins. He had been rehearsing for months and it was finally his time to “wow” the audience from the big stage. Everyone came armed with their role and their costumes and their props and their accents. The stage was transformed and we were transported to London in 1910. The main stars of Mary Poppins are of course, Mary Poppins and her magical chimney-sweep friend, Bert. But the story itself really centers around the father, Mr. Banks, who sees his role as a father as strictly providing and not in nurturing. As the musical performance played out, the audience experienced the magic, the struggle and the transformation in the family and especially in the father. Mr. Banks was no longer a 14-year-old boy, but a man struggling in his role of provider, husband, and father.

I reflected later that we as human beings need to share our ideas, feelings, and stories. I never could know how it felt to live and be the head of a house hold in 1910, in London. Things we will never experience, we can feel and learn through stories.

In Pages online, we read a terrific story during this last session with my middle school Level 3 students called Banner in the Sky. This book was about a boy climbing the highest mountain, the Citadel, in the Swiss Alps. It is a fictional book but based on real research and experience climbing. As we read, we were transported to these mountains, holding on for our lives, experiencing the harsh weather conditions and the strength of the climbers both physically and mentally. Before this book I had never pondered what climbers experience.

 

Books take us places we have never been to experience things we will never do.

 

Through books we get a glimpse of the past we never experienced. We learn about things we have never done. We ponder what things might be like in the future. In my Level 4 Pages class, we read The Giver—a book that talks of a newly created community where everyone lives in sameness, under a set of rules where the weak and rule breakers are sent to Elsewhere. Memories are too painful for people, so they are taken away and placed with one single person, a person separate from society, called the Giver. The book is set in an unspecified future with no exact date. This young adult dystopian novel was written in 1993 and has sparked questions about conformity, individuality, unexamined security, freedom and the importance of our past and experiencing pain.

Blackbird and Company has created curriculum to accompany the journey and adventure of books; comprehension, setting, plot, vocabulary, themes, motifs and symbols are covered. But we really dive deep when we ask the student or should I say the writer to write, their ideas, feelings, opinions, beliefs. Our prompts ask, what tricky or fearful experience have you encountered? How did you get through? What would you do if faced in the same situation as the character? What do you want to do when you get older? Who influenced you?

Suddenly we are telling a story—our story—we are the writer of our story!

 

To write, we need only to start with a word, a phase, then one true sentence. It sounds so simple, but the words we choose to use are important, meaningful. We can paint pictures with our words, create dramatic scenes, show painful, tragic moments, create laughter, and love. In the performance of Mary Poppins, one of my favorite scenes is when they sing the song, Supercalifragilisticexpialidocious! Mary Poppins, inventor of this word, gets the whole stage singing her brand new magical word! Simply said, it is something to say, when you have nothing to say!

When you look up “supercalifragilisticexpialidocious” (the magical word of Mary Poppins) in the dictionary, there it is, defined as: something extremely good or wonderful.

What a challenge that word would be to put in an essay, but much more powerful, might I say magical, than simply saying something is good.

Mary Poppins would say to our students: Learn words, words and more words!

By the age of 5 years old children recognize at least 10,000 words. By 10-years-old, children can speak and write an average of 20,000 words and learn on average 20 new words a day. They can also understand the fact that words have multiple meanings. A High school student may know anywhere from 25,000-50,000 words. When I looked up the average vocabulary for adults, it ranged from 20,000-35,000 words. Children double their vocabulary between 5 and 10-years-old, learning an average of 20 new words a day! But over 10-years-old, learning new vocabulary slows or even stops. An average teen or adult might just have a vocabulary of 25,000 words. That’s only 5,000 more than a 10-year-old, maybe staying this way for their lifetime.

We have moved away from books you hold in your hand and dictionaries you flip through. We’ve have moved to media. As a whole we have moved away from writing with a pencil and instead typing on the computer.

How do we inspire our students to read and to write and to thing? How do we keep them learning, and adding to their vocabulary? To become the communicators of the future? How do we inspire our students to be writers who express that wonderful one true sentence? To bring that idea, that feeling, that story to life? How do we make what feels impossible, possible?

 

Mr. Daniels, of Fish in a Tree, instructs the main character, Ally, to draw a line between the M and the P in that word impossible.

 

I M / P O S S I B L E

 

“So, now, Ally…….that big piece of paper in your hand says possible. There is no impossible anymore, okay?”

We can create possibility. We can create words and meaning. The possible starts with YOU. And the way I see it, with a good book and some time.

“In this world of words, sometimes they just can’t say everything.”

Or can they? I would like to find out!

 

~Clare