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No Rules Animal Poetry

Eb_florian_bnd_LRG Douglas Florian is a poet and artist extraordinaire!

Winner of the Lee Bennett Hopkins Poetry Award and recipient of an ALA Notable Children’s Book Award, he is the author and illustrator of many delightful children’s books.

Douglas Florian believes there is only one rule when it comes to poetry, that there are no rules.

Your youngest students can explore scientific and silly facts about creatures of all kinds with our Douglas Florian Earlybird Guide, and even try their hand at writing their own animal poetry. The results are fantastic!

 
Shark

Ate a thousand fish

In the white bathtub

In the night when the people were sleeping

To grow as big as the house

– Jedd, age 5

 

Whale

Jumped and did a back flip

Under blue and white water

At snack time

To have fun

– Cameron, age 6

 

Seahorse

Met a friend

At the light blue drop off

Early in dark morning

To not have to wait as long

– Maddie, age 6

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Creative Writing and The Periodic Table

Table
Paper

A few days ago Søren shared an idea, “am going to write a story using all the letters on the periodic table.”

What in the world? After a summer of focusing on the garden—tilling earth, planting seeds, and harvesting fruit—the periodic table of the elements? But in the end, I realized that Søren’s idea has everything to do with the garden.

Last year I taught chemistry in my guild to a handful of high school students. We read The Periodic Kingdom, and “journeyed through the land of chemical elements” with P.W. Atkins. We watched the periodic table. Yes, watched. This was mad science in action. Chemists from the University of Nottingham have created a short video about each of the 118 elements. Stoichiometry, polarity, and biochemistry entered our discussion, and we concocted reactions in our little make-shift lab, extracted DNA from a variety of sources. But our explorations of the table itself was most amazing. And where was Søren? The little hovering bird was gathering seeds, of course.

So this morning, I woke up, hobbled sleepily into the kitchen to make a cup of tea, and saw our favorite coffee table acquisition from the chemistry class: The Elements: A Visual Exploration of Every Known Atom in the Universe, on the table along with a writer’s toolkit—pen, paper, dictionary.

Søren had an idea and was brave enough to engage the work, even during the last week of summer.

Thanks Leonardo.

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Our City Garden

Greentomatoes
Tomatoes I’ve been watching our garden grow. The boys have learned so much about attention as they tend this living and growing thing. When little green tomatoes appeared they beamed with satisfaction. And when it was time for the first harvest (which was sizable for these city dwellers) I could not get them to stand still for the photo!

Since the garden was also abloom with basil and zucchini, we decided to make our first meal, Italian-esque. We can dream Tuscany, right?

We set a pot on the stove and waited for the water to boil for the pasta. Meanwhile, we chopped tomatoes and basil and sauteed them in olive oil and a pinch or two of salt. We let the harvest settle into flame just long enough to wilt the vegetables. Then we put the chunky goodness into our food mill and cranked until the base for our sauce emerged.

Shopped
Spinn We poured the tomato basil puree into a sauce pan, reduced it slightly, and added some cream. We served this over our pasta with grilled slices of homegrown zucchini on the side.

Trust me, this was a first for our family.

Seed. Earth. Water. Sun.

Galvanized trash containers and a front yard planter converted to a vegetable garden.

My boys are still amazed.

– Kim

Meal

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Da Vinci Summer II: Spontaneity

Sir Ken Robinson has all sorts of ideas about creativity:

“You can be imaginative all day long and never do anything.”

“To be creative you have to do something.”

He defines imagination as, “…the process of having original ideas that have value.”

Creativity is is the work of bringing an imagination to shape.

Perfectionism and procrastination have the power to silence an idea by simply stopping imagination in its tracks. I’ve seen it happen over and over and over again. So has Sir Ken:

“If you’re not prepared to be wrong, you’ll never come up with anything original.”

As a mom and educator, I design opportunities for creativity to occur on a daily basis. Other times—and I am thankful for these moments—spontaneity does the work for me.

Last week my two youngest sons, Liam and Søren, spent the day at the office with Uncle Brian who gave them a challenge: Make something.

He provided:
• Gaffer’s Tape
• Bubble Wrap
• Zip Ties

And they spent the next couple hours creating.

They marched into the house that evening beaming with pride in their accomplishment.

Thanks Uncle Brian.

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PS I couldn’t help but notice some whispering of you-know-who in their creations!

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Sweet Tradition

When Hannah was little, one of her favorite books was The Little Mouse, the Red Ripe Strawberry and the Big Hungry Bear. We read this story over and over! The story is clever, rhythmic and provides terrific opportunities for garden and kitchen fun. We grew a pot of strawberries, picked them and popped them into our mouths as we read, we made strawberry shortcake, strawberry tarts, strawberry sundaes. But by far Hannah’s favorite was strawberry freezer jam because she got to SMASH the berries in a bowl.

Recently I pulled the book from our collection of read-alouds, and placed it on the counter next to the supplies for freezer jam. Twenty-one-year-old Hannah was delighted. She flipped through the pages, but “read” the story from memory!

The fruit of tradition is sweet as any strawberry!

This recipe is SO easy and super fun to make…. red ripe strawberries, sugar and pectin… voila! Follow the instructions on the package of Ball No Cook Freezer Jam Fruit Pectin.

 

~Kimberly

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Listen with Your Eyes

I love summer not because we are “off” but because we get to jump start and fine tune our rhythm of routine. We get to be outdoors. And this summer that fact, connected to our policy of TQM equaled a thriving garden, well, that plus plenty of water and regular food for our little green friends (thanks for mentoring us Sara).

Squash1

When my boys came in a few weeks ago with a larger than life-sized squash that appeared over night in the garden, you know, the kind that was not quite ready to pick yesterday and has become a snack for Gargantua over night, the kind that is just too tough for a delicate meal, I ask, “How 'bout grate the mutant into another modified version of zucchini bread?”

A resounding, “No…!”

“Okay, we'll make art!”

So we pull out the sketch pads for an impromptu art session. Because squash (especially in this overgrown state) will last on our counter indefinitely, they are perfect objects to accent a still life composition. But this curvaceous object, I decided, was perfect for contour drawing. So we set out on a visual journey, observing the delicate contours of this enormous vegetable.

Sorendrawing

Contour drawings show the outline of an object. Blind contour drawings are those created by looking only at the subject, not the paper, while drawing and to make matters more complicated, without lifting the pencil. One continuous line, this is the goal in a perfect world. This practice helps develop eye-hand coordination, helps to train the brain to listen to the eyes and to send the proper message to the pencil whose job it is to put marks on paper. Changes in form and space are tough to detect, this exercise allows the artist to get the eye, the brain, and the muscles to be on the same page.

Handdrawing

My dear friend, painter and art mentor extraordinaire, Sandra, has been teaching me the value of contour drawing for many years, “Listen with your eyes,” that's what she says. At least that's where she begins. Here is where that little opener leads:

Putting the effort, (even if it is a little uncomfortable!), into the the practice of contour drawing is important for a few reasons.

  • Primarily, it works to strengthen observation skills, (drawing what one actually sees, as opposed to what the brain “knows”).
  • Blind contour assists in becoming “shape sensitive”… instead of drawing a nose… follow the contour curving left, then sharp turn right…
  • Lastly, It's fun, (if you embrace it)!!!

Drawimg

Whenever I struggle with a sketch… I'm not getting the correct gesture or tilt of the head or shape if the eye and shadow shape…

I switch my brain over to contour mode and rely on my eyes to tell my hand what to do. Right and left brain work together: Right brain follows the contours of shape, left brain analyzes where the shape relates to other shapes.

You can clearly see that she practices what she preaches. This is one of her contours.

Sandrasketch

This is where her rhythm of routine leads:
Ladyhead
Painting
Since we live miles and miles apart, she mentors me via iPhone. My youngest son, Søren has been drawing all summer. When I sent Sandra his recent contour, he was tickled to read her encouragement:

“Soren's contour from last night is really good! Those undulations can be challenging, the tendency is to let the brain say, ‘…ya, ya, I know… up and down, up and down…blah blah blah…’. It looked like he was
really letting his eyes inform him! Keep it up!”

Sandra will be pleased to know that after 25+ years, I am beginning to recognize the value of this foundational skill. In fact, Søren and I have committed to a year of as close to daily contour drawing as possible. We will see where this goal lands us. My larger plan is to incorporate contour drawing into science workshops at my co-op this fall—15 minutes of observational drawing. I am sure Leonardo would nod approvingly, but his eyes would not stray from the subject at hand!

Click here for a really creative lesson from Lori over at the inspiring Camp Creek Blog, on how to begin blind contour drawing with younger children.

– Kim

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When the Schoolroom is a Mentor

Inside schoolroom spaces,

children

see

hear

touch

move freely

experience

discover

and respond!

As children engage with schoolroom spaces, learning becomes an active pursuit rather than a passive process.

Basket

Schoolroom spaces provide opportunities for the child to practice deep concentration.

Blocks

Schoolroom spaces offer activities that are self-correcting for our little ones so that they may work on developing confidence through competency.  Schoolroom spaces are organized to encompass an age span. It is wonderful when the younger child experiences the daily stimulation of older role models, and wonderful when the older child beams in the responsibilities of leadership. Students not only learn with each other but also from each other.

Bigkid

Schoolroom spaces offer opportunities for observation. The process of investigation and discovery motivates the child.

Garden

Schoolroom spaces provide opportunities for the older child to make choices for independent research that will spark curiosity, stir up the imagination and avoid the doldrums.
Quilt

Schoolroom spaces elevate the child’s work.

Salon

Inside schoolroom spaces learning blooms.

Boys

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Sidewalk Masterpiece

ImagesVan Gogh chimes in, celebrating Da Vinci Summer II:
“Great things are done by a series of small things brought together.”

Can’t make it to the art museum this summer? Well, create your own museum at home!

This is a perfect impromptu activity for the patio or driveway. All you need is space, inexpensive sidewalk chalk, a box of chalk pastels in a lovely range of colors…and a bunch of friends.

What’s great about this project is that you get to own an original installation of art until you decide to have the artists close the exhibition with a few squirts of the hose!

Step 1
Prepare the surface using inexpensive sidewalk chalk. We used white because Van Gogh’s sunflowers are bright.

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Step 2
Draw what you see. This is a terrific opportunity to practice observation skills.

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Step 3
Color in the negative space (the background). Begin with colors slightly darker than the painting you are copying. This will add depth to the finished work.

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Step 4
Begin to fill in the details. As you do, be sure to experiment with colors. Don’t use a single color. Use a range of analogous colors (colors that are neighbors on a color wheel) to simulate the rich layering that a painter such as Van Gogh might use.

Step 5
Layer and layer until your composition is complete.

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Step 6
Make some lemonade and invite the neighborhood to your very own street painting festival.

Most of all… enjoy the process!